Helen McCrory Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
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I've had more ups than downs in my career. All you can do is keep working. You still have to take enjoyment out of what you're doing, and things will turn, and my smile has always been there. In good moments and bad.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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Hugs are helpful, especially when women step out into a mostly male political world. Emotional support, at critical moments, enables women to stay in the race.
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We don't really see a lot of comedic moments in '24.' In fact, I haven't seen all of it, but from what I have seen, I don't know if I've ever laughed at anything that anyone has done on '24.'
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I think the difference between finding happiness, or moments of happiness, is how you choose to interpret things. That's a rather shocking responsibility. That we're responsible for our own happiness. It's not those around us.
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There aren't a lot of 'Aha!' moments in writing.
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In a popular medium, you're going to get loads of stuff that is trite, but there'll also be some really special moments.
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If the money's right, I'll do a film.
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I look for roles that allow me to immerse in different worlds, immerse in worlds that are different from mine. Then, when you finish a film, you're a different person. I look for that. I look to be impacted, to be transformed, changed by my roles. That's why I do this.
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You ought to have a perspective when you're making a film.
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I love the routine. I love getting up in the morning and getting breakfast and packing lunches and doing the school run. Those things are really important to me. Because I think that those small but key moments are crucial for a kid.
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But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
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The poet creates it; the people by recitation recreate it. Poet and reader (hearer) are moments of the same reality.
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There are elements to my faith which are echoed very closely in the scripts that come through. I read certain moments, and I'm able to say, 'Yes, I recognize that. I champion that. I ally myself to that idea.' Then there are times where I don't. My feeling is, at this stage in my life, that it will be an ongoing struggle.
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That's really important to me - creating moments that last forever.
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I have many moments of self doubt. Everybody does.
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I think about everyone in my life that was harsh with me or who gave me tough love and told me things that I didn't want to hear in that moment; fortunately it ended up being really good for me and I have nothing but respect for them today and those are the people I return to when I need that real honest advice.
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As a make-up artist, you always want to be in a good light, whether you're walking down the street or in a restaurant. It is a very key element to me; you can't apply good make-up in a bad light.
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In the Holy Relationship, it's understood that we all have unhealed places, and that healing is the purpose of our being with another person. We don't hide our weaknesses, but rather we understand that the relationship is a context for healing through mutual forgiveness.
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Every day it seems more likely that we are destined - or should one say doomed? - to replay the disastrous economic history of the 1930s.
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Working in films, there are hundreds of odd moments.
