Evanna Lynch Quotes
Drawing on the experience I have of now directing, to me, my one strength that I know is my ability to communicate with actors and therefore make characters really important.
Quotes to Explore
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The film industry is mostly about unidimensional characters.
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From my experience, politicians are much more uncomfortable being made fun of than they are being preached at and screeched at - you know, and the soapbox routine. They're much more uneasy knowing they're a target of ridicule.
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Since being diagnosed with Asperger's, I'd been working with an acting coach who has now become a good friend. We'd been trying lots of improvisational techniques to help me with some of the problems I experience. But it's a very slow process.
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We are in the midst of a momentous catastrophe of world history, of a transformation of all aspects of life and of the entire inner human being This is perhaps fortunate for the artistic person, if he is strong enough to bear the consequences, because what we need is the courage to have inner experience.
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When I joined Time Inc., one of the things that was important to me was ensuring that our content is where consumers want to read it. The Apple newsstand is an important place where a lot of consumers are. And Apple is really becoming a good partner to publishers. We are confident we can deliver a experience for our readers that 's really good.
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If I'm made to pick one transcendent reading experience, then it was listening to Miss Sarzin as - if we'd been very, very good - she read the next chapter of 'The Hobbit' aloud to us.
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So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
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Sleep - the most beautiful experience in life - except drink.
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I get to delve into some of the most creative experience I've had as an actor on 'Mr. Robot.' I think there's a wide opportunity for actors to do that now more so than ever on television.
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'(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.'
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Making movies was a real weird kind of adult experience. In a way it was like MIT, in that it was a great education. The big lesson is, people are people. They're smart, funny, creative people, but they're people.
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I'll admit I was curious about coaching a national team, but my experience with Greece was sufficient.
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At age 28, I had no retail experience, no consumer marketing experience and no real Internet experience. But I decided I wanted to work for myself. I felt starting a company would enable me to get the responsibility I deserved and that I couldn't do that within the confines of a bigger company.
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It's just a wild experience to have thousands of people stand up and cheer for you.
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The more you are blessed with experience, the fuller and the more enriched you are in your craft.
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The experience of seeing a surf movie in the 1970s, as a teenager, and the energy in those theatres, was amazing. It was the only way to see people surfing. These guys would go out and make these surf movies and bring them to four-wall theatres. It was an incredible experience that I'll never forget.
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Best thing that's happened this year? Maybe Hostel. It was a great experience. I loved it.
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I've done a lot of translation in TV, and I can do it. I'm trained to do it. I know how to inject a certain amount of my naturalness into that and where I come from into those things, but it helps if somebody's writing with my experience in mind.
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I've been to Sundance eight times as a publicist and thought I was very prepared. I mean, who could've been more prepared for me? A publicist who's been there eight times. Getting there as a filmmaker was a completely surreal, different, unexpected experience.
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The wise are instructed by reason, average minds by experience, the stupid by necessity and the brute by instinct.
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I think those neighborhood signs that say 'slow children playing' are so very mean.
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In the years after World War I, blacks began to migrate to the North and its imagined freedoms in great numbers - 'Russian' came to mean a black who had rushed from the South.
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Players have responsibilities, because, whether they like it or not, they are public figures. They have to be aware that the people who come to the ground spend fortunes in relation to what they earn.
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Drawing on the experience I have of now directing, to me, my one strength that I know is my ability to communicate with actors and therefore make characters really important.
