Vic Fuentes Quotes
Quotes to Explore
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I don't really like to explain my songs.
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Many of the songs on Undertow were written at the time Opiate came out.
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Being the first to cross the finish line makes you a winner in only one phase of life. It's what you do after you cross the line that really counts.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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I love writing songs.
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One should always try to do the best you possibly can. I'm not in a race to the finish line - I won't put anything out until it's completely ready. You want to keep it special and unique for the customer.
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The biggest influence? I've had several at different times – but the biggest for me was Bob Dylan, who was a guy that came along when I was twelve or thirteen and just changed all the rules about what it meant to write songs.
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I tend to name albums after one of the songs.
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I enjoy being in New York. I have so many fans here that sing all my songs from start to finish.
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With my songs I tried to prove that there is love.
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There is no room for second place. There is only one place in my game and that is first place. I have finished second twice in my time at Green Bay and I never want to finish second again.
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Summer is not obligatory. We can start an infernally hard jigsaw puzzle in June with the knowledge that, if there are enough rainy days, we may just finish it by Labor Day, but if not, there's no harm, no penalty. We may have better things to do.
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A letdown is worth a few songs. A heartbreak is worth a few albums.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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Every battalion has its marching songs.
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I don't have many easy songs.
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I read the script for 'Somnia' when I was filming 'Oculus,' and I remember calling my manager going, 'I really need to do this movie,' and he's like, 'How about you finish this one first and then you see it?' I was like, 'I don't need to. I don't need to. You need to read this. I need to do this movie. The script is very good.'
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I got about 6037 songs I wrote myself and I'm trying to get them on the market and I just wish people could hear them and stuff but they'll do pretty good.
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I'm at the mercy of whatever character comes into my head.
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Half of the great comedians I've had in my shows and that I paid a lot of money to and who made my customers shriek were not only not funny to me, but I couldn't understand why they were funny to anybody.
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The whole notion of an embassy is like 'The Other.' That's what makes Washington interesting.
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Some songs are all so detailed and in-depth that it takes forever to finish them.
