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In far Eastern Russia, there's just some towns that time has forgotten. I guess they used to maybe be industrial or something that are now there's just lots of rusty hulks of buildings and a lot of people wandering around, a lot of alcoholism and violence because people have got nothing to do and no work. Yet people were very generous.
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The thing about parenting rules is there aren't any. That's what makes it so difficult.
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It's just fantastic to go out and meet people in the world and get to really remote places.
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When I would knock about the town in London, I was doing it with my head down, walking very quickly and it had become the norm for me because I'm recognized there. And people are not unkind but occasionally there's a sort of British who do you think you are sort of, I don't really think I'm anybody. I just go about my normal day. But sometimes you're faced with that.
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When I moved to London, you could park your motorcycle in the pavement, on the sidewalk. We would stay here and just leave it and go about your business. But now something was sort of encroaching in London. There's cameras everywhere. You can't do anything. You're not allowed to be in a group.
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I don't like the idea of not being able to knock about the town, you know.
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I was determined to make working with UNICEF not just something that I did on the trip but something I'd do for the rest of my life.
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I was getting in trouble at school. I wasn't happy. The school was very much a school that created people for commerce and it wasn't an arty school.
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Everything you do on set is directly related to your imagination when you read the script for the first time.
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I can't know what I'm going to do before I'm in front of the lens. And I think that sort of makes it exciting.
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I love skiing, scuba diving and hang-gliding.
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What matters most with any regimen, whether it's to lose weight or stop drinking or smoking, is your willingness to seek help and your desire to say 'no more.
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Then I left school at 16 and worked in Perth Repertory Theatre, which was quite nearby where I lived. And I worked there for about six or seven months, as part of the stage crew.
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I think my home is in that sort of the part of cinema that's disappeared is where I lived, that sort of mid-budget you know, drama. I suppose that's what I am known for.
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I got married because I fell in love with this woman. I had a baby with her because we wanted to have children. But that's not because of some philosophical ideal at all, no.
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Producing good stuff can be quite tough, and it involves a lot of frustration, but I always like things to be jolly and happy, and I forget thats actually not the point at the end of the day.
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I've played in pipe bands in Scotland, and I've always played guitars and drums and stuff.
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UNICEF is successfully giving children and young people all over the world opportunities and hope. Just like the ones we met on the Long Way Down - protecting them from exploitation and giving them chances in life.
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My feeling about seeing the world is that its going to change you necessarily, just the very fact of being out there and meeting people from different cultures and different ways of life.
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Everyone has to understand what we're saying to one another and there's no point in me thinking the line means this and the person I'm speaking to thinks it means something else. So there's a certain amount of analyzing of text that's of course necessary.
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I wanted to make sure that I was making films about the world. So I thought well, I should go and see it. I'm spending a lot of time in - we call them caravans in Britain.
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I wanted to go and explore the world, I guess. And I suddenly thought well, I'll just do it.
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Don't worry about telling your actor what to do.
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A tent, a roll mat, a little bit of food, a bit of petrol in your tank and a vague idea of where you're going and that's all you need.