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	All great art is born of the metropolis.   
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	And the betrayers of language ...... n and the press gang And those who had lied for hire; The perverts, the perverters of language, the perverts, who have set money-lust Before the pleasures of the senses; howling, as of a hen-yard in a printing-house, the clatter of presses, the blowing of dry dust and stray paper, foetor, sweat, the stench of stale oranges.   
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	Better mendacities Than the classics in paraphrase! Some quick to arm, some for adventure, some from fear of weakness, some from fear of censure, some for love of slaughter, in imagination, learning later . . . some in fear, learning love of slaughter; Died some, pro patria, non "dulce" non "et decor" . walked eye-deep in hell believing in old men's lies, the unbelieving came home, home to a lie.   
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	Great literature is simply language charged with meaning to the utmost possible degree.   
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	I dunno what my 23 infantile years in America signify. I left as soon as motion was autarchic -- I mean my motion.   
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	Somebody said that I am the last American living the tragedy of Europe.   
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	No picture is made to endure nor to live with but it is made to sell and sell quickly with usura, sin against nature, is thy bread ever more of stale rags is thy bread dry as paper.   
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	Literature does not exist in a vacuum. Writers as such have a definite social function exactly proportional to their ability as writers. This is their main use.   
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	What thou lovest well remains, the rest is dross What thou lov'st well shall not be reft from thee What thou lov'st well is thy true heritage Whose world, or mine or theirs or is it of none? First came the seen, then thus the palpable Elysium, though it were in the halls of hell. What thou lovest well is thy true heritage.   
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	Install me in any profession Save this damn'd profession of writing, where one needs one's brains all the time.   
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	Where the dead walked and the living were made of cardboard.   
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	Poetry is about as much a 'criticism of life' as red-hot iron is a criticism of fire.   
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	This is no book. Whoever touches this touches a man.   
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	My pawing over the ancients and semi-ancients has been one struggle to find out what has been done, once and for all, better than it can ever be done again, and to find out what remains for us to do, and plenty does remain, for if we still feel the same emotions as those who launched a thousand ships, it is quite certain that we came on these feelings differently, through different nuances, by different intellectual gradations. Each age has its own abounding gifts yet only some ages transmute them into matters of duration.   
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	From the colour the nature And by the nature the sign! Beatific spirits welding together As in one ash-tree in Ygdrasail.   
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	It is better to present one image in a lifetime than to produce voluminous work. Image...that which presents an intellectual and emotional complex in an instant of time.   
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	Anyone who is too lazy to master the comparatively small glossary necessary to understand Chaucer deserves to be shut out from the reading of good books forever.   
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	With Usura With usura hath no man a house of good stone each block cut smooth and well fitting.   
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	The flavors of the peach and the apricot are not lost from generation to generation, neither are they transmitted by book learning. The mystic tradition, any mystic tradition, is of a similar nature, that is, it is dependent on direct perception, a 'knowledge' as permanent as the faculty for receiving it.   
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	Quiet this metal! Let the manes put off their terror, let them put off their aqueous bodies with fire. Let them assume the milk-white bodies of agate. Let them draw together the bones of the metal.   
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	I once saw a small child go to an electric light switch as say, Mamma, can I open the light? She was using the age-old language of exploration, the language of art.   
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	Consider the way of the scientists rather than the way of an advertising agent for a new soap.   
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	The history of an art is the history of masterwork, not of failures, or mediocrity.   
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	Mass ought to be in Latin, unless you could do it in Greek or Chinese. In fact, any abracadabra that no bloody member of the public or half-educated ape of a clargimint could think he understood.   
