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Compose in the sequence of the musical phrase, not in sequence of a metronome.
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Come, let us pity those who are better off than we are. Come, my friend, and remember that the rich have butlers and no friends, And we have friends and no butlers.
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The rustling of the silk is discontinued, Dust drifts over the courtyard, There is not sound of footfall, and the leaves Scurry into heaps and lie still, And she the rejoicer of the heart is beneath them: A wet leaf that clings to the threshold.
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The intellect is a very nice whirligig toy, but how people take it seriously is more than I can understand.
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The apparition of these faces in the crowd; Petals on a wet black bough.
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A great age of literature is perhaps always a great age of translations.
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Liberty is not a right but a duty.
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That text is known to them that have the patience to read it, possibly one one-hundredth of one percent of the denizens. They forget it, all save a few Western states. I think somebody in Dakota once read it. The Constitution.
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The phase of the usury system which we are trying to analyze is more or less Patterson's perception that the Bank of England could have benefit of all the interest on all the money that it creates out of nothing. ... Now the American citizen can, of course, appeal to his constitution, which states that Congress shall have power to coin money or regulate the value thereof and of foreign coin. Such appeal is perhaps quixotic.
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Song in the Manner of Housman" O woe, woe, People are born and die, We also shall be dead pretty soon Therefore let us act as if we were dead already. The bird sits on the hawthorn tree But he dies also, presently. Some lads get hung, and some get shot. Woeful is this human lot. Woe! woe, etcetera.... London is a woeful place, Shropshire is much pleasanter. Then let us smile a little space Upon fond nature's morbid grace. Oh, Woe, woe, woe, etcetera.
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Take the serious side of Disney, the Confucian side of Disney. It's in having taken an ethoswhere you have the values of courage and tenderness asserted in a way that everybody can understand. You have got an absolute genius there. You have got a greater correlation of nature than you have had since the time of Alexander the Great.
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Poets who are not interested in music are, or become, bad poets.
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I ask a wreathwhich will not crush my head. And there is no hurry about it; I shall have, doubtless, a boom after my funeral, Seeing that long standing increases all things regardless of quality.
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Objectivity and again objectivity, and expression: no hindside-before-ness, no straddled adjectives (as "addled mosses dank"), no Tennysonianness of speech; nothing-nothing that you couldn't, in some circumstance, in the stress of some emotion, actually say.
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There is no topicmore soporific and generally boring than the topic of Ireland as Ireland, as a nation.
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In case I conk out, this is provisionally what I have to do: I must clarify obscurities; I must make clearer definite ideas or dissociations. I must find a verbal formula to combat the rise of brutality--the principle of order versus the split atom.
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No man understands a deep book until he has seen and lived at least part of its contents.
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I have tried to write Paradise Do not move Let the wind speak that is paradise. Let the Gods forgive what I have made Let those I love try to forgive what I have made.
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All my life I believed I knew something. But then one strange day came when I realized that I knew nothing, yes, I knew nothing. And so words became void of meaning. I have arrived too late at ultimate uncertainty.
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Genius... is the capacity to see ten things where the ordinary man sees one.
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A little light, like a rushlight / to lead back to splendour.
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Don't be blinded by the theorists and a lying press.
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All great art is born of the metropolis.
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No good poetry is ever written in a manner twenty years old, for to write in such a manner shows conclusively that the writer thinks from books, convention and cliché, not from real life.