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I don't think anyone can teach you how to be a man but a woman. You only learn by learning what they need.
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I’ve been lucky, so lucky, working with ... Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.
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I try to play characters who are different from myself, so I feel like this character is someone who is really different. I actually think that if I did what he did in this movie, I would get a restraining order put against me.
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You can't make a movie for everybody. You can't go into it trying to alienate people, but you have to assume that you're going to.
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Women aren't interested in being sexy any more and men are. All the guys have objectified themselves and sexualised themselves into being just matinee idols.
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I try not to discriminate against genres.
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I'm Canadian. I think that's it. When you're a Canadian, you're always watching America from the outside, from afar.
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I just sort of take it from a character perspective, and I don't know if he was necessarily spiritual, but I do think he had hope. He was a character that was comfortable having hope in his life, and hope is faith.
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It's sad, because he just doesn't have any ambition outside of loving his wife and his daughter — which should be enough but doesn't seem to be enough in this case.
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Acting isn't that hard, really. I mean, I think that people make a big deal about it, but you just kind of try to say your lines naturally.
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Talking about muscles. They're like pets basically. They're not worth it. You have to feed them all the time and take care of them, and if you don't, they just go away. They run away.
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I like all kinds of movies, I love movies; and I always wanted to try and make one.
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Im glad I have an outlet. I dont think I would put my aggression elsewhere, but working on the projects I have worked on, you tend to benefit personally from trying to wrap your head around the way other people look at the world.
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I think about death a lot, like I think we all do. I don't think of suicide as an option, but as fun. It's an interesting idea that you can control how you go. It's this thing that's looming, and you can control it.
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You have to question a cinematic culture that preaches artistic expression, and yet would support a decision that is clearly a product of a patriarchy-dominant society, which tries to control how women are depicted on screen. The MPAA is okay supporting scenes that portray women in scenarios of sexual torture and violence for entertainment purposes, but they are trying to force us to look away from a scene that shows a woman in a sexual scenario, which is both complicit and complex. It's misogynistic in nature to try and control a woman's sexual presentation of self.
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I don't like to be entertaining. I don't like the feeling of being entertaining. If there was a musical or a comedy that was not just for entertainment but was rooted in something I could relate to on a real level, then I think I would do it.
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I don't know what art is exactly, but I'm pretty sure it's not something you get paid to do. For myself this is a job. I think it's easier to get better at it if you don't lose your identity in it. You do whatever you can to try to understand the character. Because they're paying you feel like you should be doing something.
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Parents' tolerance of violence is so different to their tolerance of sexuality. If violence is involved in the sexuality it's somehow perceived as entertainment, but if love is involved with sexuality it's seen as pornographic and is not acceptable.
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For me, I sort of felt like it was kind of a fairytale... but an interesting one. I don't know of anybody who has had a romance quite like this, but I certainly know people who have stuck it out.
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I don't know, I just got a feeling about her. You know when a song comes on and you just gotta dance?
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I turned 30 and everyone told me I would feel different and I didn't. So I thought I'd move to New York.
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I don't even think of myself as particularly good looking, and not at all a typical kind of Hollywood leading man sort of actor.
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There is this idea in Hollywood, and I've seen it work for people, where the unspoken rule is 'Do two for them and one for yourself.' And that's kind of considered a fact. I've never really found that to be true for me. I've gotten more opportunities out of working on things I believed in than I ever did on things that weren't special to me.
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I think it's more interesting to see people who don't feel appropriately. I relate to that, because sometimes I don't feel anything at all for things I'm supposed to, and other times I feel too much. It's not always like it is in the movies.