Romany Malco (Romany Romanic Malco Jr.) Quotes
I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
Quotes to Explore
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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The film depends on the audience's belief in this relationship.
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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Good governance, safety, a chance to grow economically and professionally - those are important things.
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All my brother Eliot and I did as kids was film sketches.
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What made 'American Idol' different from 'The Voice' and all these other singing competitions... 'American Idol' just gave regular old normal people like me and like Trent a chance.
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In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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You can't say the public likes generic characters. Give others a chance, go for a more rooted and honest characterisation, take some risk, and then let the public choose.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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As an artist, you have to work really, really hard because you gotta make something that will allow people to even take the chance to even listen to it, you know?
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If the money's right, I'll do a film.
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I want to do theatre and film and direct my own things and develop.
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When you are successful, there is this tendency to repeat the elements that we believe have worked in a certain film. Then it becomes formulaic, and there is no getting back.
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Once I was condemned to three months' absolute silence. As I could not speak, I wrote a book.
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The academic area of new music or modern music festivals is not something which attracts me at all.
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Bill Clinton was doing Ku Klux Klan grand kleagel jokes at Byrd's funeral, saying, Oh, Robert C. Byrd, he used the - he was the grand kleagel. He just did what he had to do.
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I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
