Romany Malco (Romany Romanic Malco Jr.) Quotes
I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
Quotes to Explore
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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The film depends on the audience's belief in this relationship.
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Those differences are what color the performance, but in the movies you don't get a chance to rehearse.
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Good governance, safety, a chance to grow economically and professionally - those are important things.
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All my brother Eliot and I did as kids was film sketches.
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What made 'American Idol' different from 'The Voice' and all these other singing competitions... 'American Idol' just gave regular old normal people like me and like Trent a chance.
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In graduate school, Aubrey Berg at the Cincinnati Conservatory gave me the chance to perform with the best in the country in Broadway caliber productions.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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You can't say the public likes generic characters. Give others a chance, go for a more rooted and honest characterisation, take some risk, and then let the public choose.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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I looked for acting classes in Paris just to do something different than modeling. And then one day I just thought, 'Okay, that's enough, I have to start doing something.' I went to the acting agency and I just told them I wanted to act and asked them if they would give me a chance, and they did.
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Some fellow from the Third World kept hammering for prizes for a Communist film which was rotten.
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As an artist, you have to work really, really hard because you gotta make something that will allow people to even take the chance to even listen to it, you know?
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If the money's right, I'll do a film.
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I want to do theatre and film and direct my own things and develop.
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For me, it's not an option to despair. The question is: what can we do to make someone's life better? Take the unimaginable strides made in places like Bosnia, where I cut my teeth, and Rwanda. Their stories aren't perfect, but I wouldn't have dreamt they could happen in a million years.
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If we can contain and monitor animal viruses at an earlier stage - when they're first entering human populations, preferably before they've had a chance to become human-adapted, certainly before they've had a chance to spread - we can head off pandemics altogether.
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Tone is an interesting question because part of the inspiration of looking to song is that Geisel himself - when you think about his animated version of The Grinch - embraced the idea of using songs in unconventional ways, as part of conveying a narrative. The use of music, in this film, is very unconventional, which I love.
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No person ever gave me nothing but God.
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If you can't control your reproduction, you can't control your life.
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I come from the best era of film I believe; when people were taking chances on films. It's time for us to bring more truth to the story and not necessarily carry a torch for every Black person in America; just tell a story, and a good one too.
