O. J. Simpson Quotes
I had one fight in my adult life. I had the famous '89 fight with Nicole, which she admits that she initiated the physical part.
Quotes to Explore
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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I've never been a partier.
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I have changed so much as an actor over the years.
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It took me 14 years to write poems about Vietnam. I had never thought about writing about it, and in a way I had been systematically writing around it.
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People are patronizing the theatres with renewed enthusiasm - there is an entire picnic-like attitude when families go out to see movies, which is a very good sign. They want to see larger-than-life characters on the big screen and not just watch movies on television or on DVDs.
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When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability... To be alive is to be vulnerable.
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There's such a preoccupation with liquidity and such an unwillingness to invest beyond the horizon of the next quarter and making sure that the CEOs hit their quarterly earnings.
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I have friends who say, 'You just can't understand what it's like to be a mother until you're a mother.'
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I have often heard that the novel is dead. But I see novels produced, I don't know how many a week, in France. I have the impression it's carrying along quite well.
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I think I've always been somebody to break rules.
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Back in the 1960s, I got a superb education for very little money. The bill for my first year at Harpur College in New York was a few hundred dollars.
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I began the process of recording myself seriously in the fall of 1999. If I could finish an album of my own music, I would. Five years later I am happy to say I have.
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As a kid at school, I had a lot of really good teachers and I had a lot of really bad teachers, and I just know how much of an impact those can have on a young child. To be one of the good teachers - I want to have that kind of impact.
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I liked English and art and did a lot of painting. And for some reason I was good at math, but I wasn't an A student. I really had to work hard to get good grades.
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I'm cool with myself. If I can't have the body of Angie Bassett, so be it.
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I would love to play 'Funny Girl' or 'Evita,' but I idolize the women who have played those parts. I don't know if there needs to be another version of those shows.
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Even successful musicians have had periods where people say they suck and no one likes them, even after they've had periods of great success. So I think it's like you just gotta do you and try to stay motivated. Until, you know, you decide to stay home and make spaghetti all day.
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And the fifteenth century was an impassioned age, so ardent and serious in its pursuit of art that it consecrated everything with which art had to ad as a religious object.
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I don't care what the critics say or think because I care for and love my fans.
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We've always idealized youth and then destroyed youth. That has happened since the beginning of time, and I'm fascinated by why we do that.
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I co-wrote and produced 'Sticky Fingers' with Catlin Adams, who directed it. I learned a lot writing and producing with Cat. I spent as much time as I could in the cutting room with her. All the producing experience that I had helped.
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There are so many great things in life; why dwell on negativity?
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I had one fight in my adult life. I had the famous '89 fight with Nicole, which she admits that she initiated the physical part.
