Sandra Bernhard Quotes
Quotes to Explore
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I think beauty can be everywhere.
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I had just turned 10-years-old when the Japanese attacked Pearl Harbor and plunged America into World War II.
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If I stayed in London, I probably would have gotten more work. I've never wanted to be thought of as an 'It' girl, someone who rides on the coattails of my mother.
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I had no interest in sports so I didn't make friends in that traditional way where kids are in public school and they go and they join clubs, and play sports. So I kind of had to find my own way to make friends and get attention and so I just was the class clown.
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Raising ambition in 2014 is crucial for arriving at a meaningful climate agreement in 2015.
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Strange bonds of trust and self-deception tend to grow between journalists and their subjects.
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When I wrote the eight fairy tales that appear in 'Horse, Flower, Bird' I was working toward a completely new form of artistic expression, trying to create a new kind of tale that also felt vintage: innocent and childlike, but haunted. I tried to write a picture-less picture book.
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I've always lived a life where people have said, 'Look at him. Who does he think he is?' And who I think I am is someone living life to the brim.
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Location work has its charms, and can seem glamorous on the outside, but I think living at home and having the stability of a home life once you've finished work is very underrated!
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One of the things that I was always, and still am, is quite resourceful.
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I'm doing exactly what I should be doing, every day on the road.
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You gotta give everybody a new trend a new wave, something new to do.
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I think one of the most boring things is a person's taste.
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I haven't been worried about my image so much as I have been trying to find projects to push myself further than before.
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The Irish job was something that had to be sorted out.
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The first time I ever got paid to play was 1/18/99, Fire Hall in Bordentown, New Jersey. Played first on the bill - we got paid $20!
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The safest nuclear power or energy policy is to realize 'zero nuclear power.'
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The Spanish and the American audiences are lunatics. They are very passionate and, like the Irish, they don't have as many inhibitions. If you are playing somewhere like Austria or Sweden, it takes them a little while to come out of themselves.
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My experience with songwriting is usually so confessional, it's so drawn from my own life and my own stories.
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Geoff Muldaur was and is one of my musical heroes. When I listen to him sing and play, I can hear the coal mine, the cotton field, and last, but certainly foremost, the boy's boarding school.
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Since I was 17, I had been just making records and promoting them.
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I think my parents love that I want to do something a little different than what they do.
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Everybody has their own way of tapping into their realness.
