Sandra Bullock Quotes
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There weren't roles for females in comedies for a really long time.
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I'm like the queen of planning and scheduling and I'm trying very hard to stop it. I just want to finish what I'm doing and go home. I want to have a weekend. I want to have breakfast, a stack of pancakes.
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I was actually looking at comedies and wondered, 'Why is every comedy for a women a romantic one? I was so done! Then I said, 'Could I look at every script Jim Carrey rejected?' It didn't center around me getting a man.
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I think Benjamin Bratt is the most dreamy... he's dreamy! And I love the fact that he's got this Peruvian heritage; he's absolutely striking.
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I'm just having fun. And giving a sort of second shot at childhood and life - and I need to be present to do it.
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If you can't pronounce it, you probably shouldn't be putting it in your body or in your environment.
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I had prepared myself for the second half of my life to be filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
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Comedy is wonderful when you really nail it and you hear people laughing, but it's not always that easy.
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As connected as we are with technology, it's also removed us from having to have human connection, made it more convenient to not be intimate.
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I was never the kind of girl who said, "One day, I am going to be a beautiful bride, and I am going to have a family." I wanted to work and support myself and make my parents proud. All I did was work. I did three or four films a year, and felt like I was on a treadmill. Finally I said, "Nothing is exciting to me anymore." So I took six months off, which turned into a year, and said, "God, I don't miss it." That's when all kinds of interesting things crossed my path.
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It's such a joy to be able to play someone who is angry. It's a joy and a relief.
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Not everything has to be immediate.
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If a studio sees that a female can bring in audiences, then they're going to make movies with that person.
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I can't cry on demand. I need to feel what I'm feeling. I can't just say, 'Give me a moment' and then cry.
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Being in front of a camera, in a nice dress, getting all dressed up is extreme. There's a lot of other extreme situations, you know, just getting out of bed sometimes is extreme - but I do it. Just got to do it, just got to get up. Put your sweatpants on, brush off the dog hair and just get out of the house!
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I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
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To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize, so if I do something, it just has to be something I love and I don't want anyone else to do.
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If a film is not a success, then that's just the way things are. Nothing I can do can make a difference. I have stopped worrying about it.
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Crushes are wonderful – they make you feel like you're two years old, and you say the stupidest things.
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I've learned that success comes in a very prickly package. Whether you choose to accept it or not is up to you. It's what you choose to do with it, the people you choose to surround yourself with. Always choose people that are better than you. Always choose people that challenge you and are smarter than you. Always be the student. Once you find yourself to be the teacher, you've lost it.
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I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character.
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You never quite know what the change is until, one day, you wake up and go, "Wow, I'm reacting to things differently and I feel differently."
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If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.
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I've always wanted to do a female buddy film, the kind the guys get to do.