Sandra Bullock Quotes
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I did love that scene in the movie "Our Brand Is Crisis" because it's like "The Wizard of Oz." You see the backstage action of politics. You have access to see behind the curtain. You see how it's all one big advertisement.
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I realize that once I stopped fighting the technical process of how to move my body, I made it choreography.
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I think Benjamin Bratt is the most dreamy... he's dreamy! And I love the fact that he's got this Peruvian heritage; he's absolutely striking.
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I think most people have that out-of-body experience when they win the Oscar.
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I love New Orleans I love the way it looks. I love the way it feels.
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I've always said that the experience of meeting an artist that you are in awe of and that you hope to create with one day is usually disappointing because you put them up on a pedestal, and then you're like, 'Wow, that's not a nice person.'
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I don't think we spend enough time in silence, just realizing what's floating around in our noggin.
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Competing with other women wastes a lot of time, and I'm just not very good at it.
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You never quite know what the change is until, one day, you wake up and go, "Wow, I'm reacting to things differently and I feel differently."
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Why is marriage the pinnacle for everyone? People get married for the wrong reasons. We need to start looking at different packages, whether it's living together, or being with six partners, or dedicating your life to taking care of flowers.
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I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
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I've lived next door to people all my life. I don't know how cute they think I am.
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How often in life are you going to find your mate and that mate happens to be your same exact age and happens to have had the same life experiences to match where you are in our life so you guys can meet perfectly and give society what it wants? It just doesn't happen that way. Some people evolve at 24, some people are 60 and are still evolving. So why are we stopping these great connections based on age, or race or colour or whatever, gender, whatever? You meet who you meet and you connect because of your life experience.
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I was actually looking at comedies and wondered, 'Why is every comedy for a women a romantic one? I was so done! Then I said, 'Could I look at every script Jim Carrey rejected?' It didn't center around me getting a man.
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I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
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I had prepared myself for the second half of my life to be filled with other passions that don't include being in front of the camera. And then all of a sudden I got more work and more work and more work. And I went, "Well maybe things have shifted." And I think they have.
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My quest to find a great role for myself started long before this film "Our Brand Is Crisis"came around.
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There weren't roles for females in comedies for a really long time.
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I am a lover like no lover has ever loved before!
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If you're gonna tell a story from beginning to end, I always think you have to have a great structure in a script. If it gets you excited and it's something you've never read before that's another plus. I think also with improv and that whole world of stand-up, that's a whole other organism of comedy that still needs a story, but it's more free-form. On the set, it is the combination of both those worlds coming together: a great script and an allowance to play with it.
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Everyone told me to pass on Speed because it was a 'bus movie.'
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After a while, you have no idea how old you are because you've lied so many times.
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If a studio sees that a female can bring in audiences, then they're going to make movies with that person.
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I'm always in this shape, that shape, whatever shape you like the most. I am always in various stages of shapes. If the woman needs to be more soft I'll gain weight and then I'll lose weight for another film that I did where I wanted her to be more wiry. I enjoy using my body as something that helps me get to a character.