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I'm a true believer in karma. You get what you give, whether it's bad or good.
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I did love that scene in the movie "Our Brand Is Crisis" because it's like "The Wizard of Oz." You see the backstage action of politics. You have access to see behind the curtain. You see how it's all one big advertisement.
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I was able to say to everyone, 'Would you be willing to take a role that you've cherished and worked on for a long time and change it to female?' And there was not any hesitation, which was a real win. That hopefully shows a shift in the climate for women in film, although we still have some climbing to do.
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If I die tomorrow, will I have gotten everything in the world I've ever wanted? No. But I will have gotten everything that's made me happiest.
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I think Benjamin Bratt is the most dreamy... he's dreamy! And I love the fact that he's got this Peruvian heritage; he's absolutely striking.
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I'm just having fun. And giving a sort of second shot at childhood and life - and I need to be present to do it.
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I have achieved everything through either hard work or luck.
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If a studio sees that a female can bring in audiences, then they're going to make movies with that person.
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I know when I'm getting ready to mess up, I'm going to do it full-on.
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I don't ever want to come home saying, 'I should have spoken my mind. I shouldn't have let someone say something that I didn't feel was right.'
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You know, people ask, "How does the chemistry happen?" It's like being in a bar when you're drunk. You see the person, and you don't know why, it just works. And it's like everything goes in slow-motion.
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I love New Orleans I love the way it looks. I love the way it feels.
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I was always incredibly driven and found it impossible to relax. I felt that if I slacked off for a minute to enjoy myself, then so many things would be missed.
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I've done all my tricks. I'm tired of myself.
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I was a little worried that the familiarity would be a little weird, but I think for me everything is musical in my life. For me, timing is a rhythm.
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I was actually looking at comedies and wondered, 'Why is every comedy for a women a romantic one? I was so done! Then I said, 'Could I look at every script Jim Carrey rejected?' It didn't center around me getting a man.
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When you have adversity and you have pain, you never feel more alone than you do at that moment. And you can be surrounded by hundreds of thousands of people.
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You never quite know what the change is until, one day, you wake up and go, "Wow, I'm reacting to things differently and I feel differently."
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I didn't watch any films. This film, The Proposal, had it all in the script. Once all the pieces, once I met Anne Fletcher and I knew what she wanted and that we wanted the same things, and once they said Ryan Reynolds was on board and once the casting came together, you saw what it wanted to be.
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I don't think we spend enough time in silence, just realizing what's floating around in our noggin.
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I stopped doing romantic comedies. I just stopped. They're terrible. They're bad. They're not funny and so they shouldn't be a romantic comedy because most of the time they're not romantic. They shouldn't be called romantic comedy.
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My parents were opera singers and voice teachers, so growing up, I admired musicians and dancers.
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How often in life are you going to find your mate and that mate happens to be your same exact age and happens to have had the same life experiences to match where you are in our life so you guys can meet perfectly and give society what it wants? It just doesn't happen that way. Some people evolve at 24, some people are 60 and are still evolving. So why are we stopping these great connections based on age, or race or colour or whatever, gender, whatever? You meet who you meet and you connect because of your life experience.
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Why is marriage the pinnacle for everyone? People get married for the wrong reasons. We need to start looking at different packages, whether it's living together, or being with six partners, or dedicating your life to taking care of flowers.