Sandra Cisneros Quotes
I never paid attention when people said, "That's gotta be poetry. That's gotta be fiction," except when I was in a graduate program, and you had to claim your genre.
Quotes to Explore
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If I can create some space that people haven't experienced before and if it stays with them or gives them a dream for the future, that's the kind of structure I seek to create.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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The sort of man you will make of yourself, how you will be regarded by the world, whether people will admire and respect or despise you, whether you win the approval or the condemnation of your Maker - all this is in your own hands.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I just love, love going around and traveling and bringing the music to people. They just make you feel so happy that you came.
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It's really fun to act like a bimbo. But it's fun to act like a bimbo only when people know that you really aren't one.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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I think eventually private enterprise will be able to send people into orbit, but I suspect initially it's going to have to be with NASA's help.
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I think music should be experienced by people all ages.
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My voice has always been kind of distinct - even when I was four years old, my mom told me that people would be like, 'Why does your daughter always sound like a chain smoker?' I've always had this deep, raspy voice.
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I grew up with artists and drag queens. These were just my neighbors and friends and the people who are raising me.
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When you're in a high-stress situation, dynamics between people can change.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Generally, it is human endeavour to have young people lead, and you see that in public life in the U.S. and everywhere.
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With epidemics, people have been standing on the shore, waiting for the gusher to hit the ocean. But to prevent epidemics, you have to look at the various little sources that feed into the river.
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At the risk of sounding really corny now, I'm a career prosecutor. I've been doing this for a very long time. And I believe in holding people responsible when they violate the law. But our sole responsibility is to seek justice. And sometimes that means a very lengthy sentence for people who are dangerous and from which society must be protected.
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I don't know if it is of any joy to humiliate people. No matter what, whether you're high in life or low in life, humiliation and such kinds of things should just be ignored. I don't derive any pleasure from running people down.
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The most valuable insight I have made about how people make decisions is that when they become skilled they don't have to make decisions - choices between options. Instead, they can draw on experience and the patterns they have acquired to recognize what to do, ignoring other options. This is the basis of the Recognition-Primed Decision (RPD) model my colleagues and I described thirty years ago.
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Before I started modeling, I had never been out of the country, and now I feel like I'm out of the country at least a few times a month, if not once a week.
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Calculating does not equal mathematics. It's a subsection of it. In years gone by it was the limiting factor, but computers now allow you to make the whole of mathematics more intellectual.
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I've got scarves and boots from' 1970 that I still wear.
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I'm doing 'I Hate My Teenage Daughter' with Katie Finneran and Jaime Pressly.
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I never paid attention when people said, "That's gotta be poetry. That's gotta be fiction," except when I was in a graduate program, and you had to claim your genre.
