Sandra Cisneros Quotes
I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.

Quotes to Explore
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I get a lot of influence from pro wrestling. People are like, 'Oh, it's fake.' But it's not about whether the guy wins or loses, it's about how he entertains you the whole time you're watching.
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I would have liked to be - indeed, I should have been - a second Rembrandt.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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It's actually harder to write a fun song.
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Since first starting my career, I've grown accustomed to working with actors older than me. I'm always the youngest.
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Young men should prove theorems, old men should write books.
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But in answer to your question about the conspiracy angle, I think that any historian worth his salt, and this is where I fault Stephen Ambrose and a lot of these guys who attack me - not all of life is a result of conspiracy by any means! Accident occurs alongside conspiracy.
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In theatre, there's no time for a proper meal.
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My song-writing has always been just about my life - usually my worst moments.
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Caste is not a physical object like a wall of bricks or a line of barbed wire which prevents the Hindus from co-mingling and which has, therefore, to be pulled down. Caste is a notion; it is a state of the mind.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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In life, there's no such thing as an unmitigated good.
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My grandparents on my father's side came to this country from the Caribbean with a strong connection to Africa and no shame about it.
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Deep within man dwell those slumbering powers; powers that would astonish him, that he never dreamed of possessing; forces that would revolutionize his life if aroused and put into action.
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In the one defence, briefly, we accept responsibility but deny that it was bad: in the other, we admit that it was bad but don't accept full, or even any, responsibility.
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With this sense of the splendour of our experience and of its awful brevity, gathering all we are into one desperate effort to see and touch, we shall hardly have time to make theories about the things we see and touch.
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There is no kind way to rip the skin off animals' backs. Anyone who wears any fur shares the blame for the torture and gruesome deaths of millions of animals each year.
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I was a 200-pound defensive back on Saturday, but after the season, I was performing 'Lysistrata' or 'Fences.'
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I like the idea of working in different genres and transcending genres and hopefully finding success, and ultimately make movies people like.
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I think that people need to have the courage of their convictions and not be trying to fool people into thinking that they've changed overnight.
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Plus the public's attention span is so short right now, if a skater doesn't strike while the iron is hot... well it's not like people will forget you, but they just won't care anymore.
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My folks made me a Jawa costume for the Halloween after 'Star Wars' opened in '77. In '78, when it was re-released, I was hired by the local cinema to be the Jawa: to dress up all summer long, and I could frighten people with my Jawa sounds and my Jawa outfit and watch 'Star Wars Episode IV' all summer long and get paid with movie passes.
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I think people are much more concerned about money now. There aren't the big advances of the past. You feel the sense of nervousness about the book industry. It's not like before. Not that I knew very much about what it was like because I was a newcomer to it, but I get that feeling that people are more conservative in their book choices and what they are going to publish and what's a sure sell. As opposed to - just like in the economy - a sense of luxury and sense of risk taking ten years ago.