Saoirse Ronan Quotes
Quotes to Explore
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I grew up taking care of the pigs. I love this country that, you know, somebody can do something like that.
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I love California, I practically grew up in Phoenix.
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I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
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I'm kind of used to being around guys on set, and I grew up with a brother who treated me like I was a boy.
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I grew up in Mumbai.
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Because my mother was in love with Bobby Darin, I grew up with his records playing in our house all the time.
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I grew up thinking art was pictures until I got into music and found I was an artist and didn't paint.
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When I grew up I saw females doing certain things, and I thought I had to do that exactly. The female rappers of my day spoke about sex a lot . . . and I thought that to have the success they got, I would have to represent the same thing. When in fact I didn’t have to represent the same thing.
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The town where I grew up has a zip code of E-I-E-I-O.
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There are photographic fanatics, just as there are religious fanatics. They buy a so-called candid camera there is no such thing: it’s the photographer who has to be candid, not the camera.
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My sister and I are both diagnosed with second-hand smoke syndromes. We have never smoked, but we grew up with second-hand smoke our entire lives.
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I grew up in Detroit. So my mother always loved big band music.
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I grew up with all mothers, all women. I come from a long line of matriarchs, very strong women.
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There are days when everyone in the world looks like a Diane Arbus to me. She's a genius but her work is completely different to mine. But on those days I don't use my camera.
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I think that there's an infinite amount of places where you can stick a camera. There's an infinite amount of choices of what could be going on. There's an infinite amount of places for so many things, so you have to figure out how to do your job.
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I'm the most experienced cinematographer in this medium, so there's no point in having that extra conversation in the middle of the loop. You're making the film in relation to what's happening now, and you can't really affect what's happening now. It's not like you're in control of anything in front of the camera. If you're calling yourself the director and you're not the cinematographer, I think you're kidding yourself.
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Our banking system grew byaccident; and wherever something happens byaccident, it becomes a religion.
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After I grew some facial hair, I looked a bit older, and I guess that's what the modeling world wanted because I started booking more luxury brands.
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When gifts are given to me through my camera, I accept them graciously.
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Civilization as we know it will come to an end sometime in this century unless we can find a way to live without fossil fuels.
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I hate even the idea of a synopsis. When stories are really working, when you're providing subtextual exploration and things that are deeply layered, you're obligated to not say things out loud.
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We grew up with a camera in front of us.
