Sara Zarr Quotes
When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.
Quotes to Explore
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No one can occupy your generosity except you. Who can occupy your patience when impatience roars through you? Who except you can choose not to act with judgment when all of your thoughts are judgmental? Your life is yours to live, no matter how you choose to live it. When you do not think about how you intend to live it, it lives you.
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If I asked for a cup of coffee, someone would search for the double meaning.
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Beethoven's importance in music has been principally defined by the revolutionary nature of his compositions. He freed music from hitherto prevailing conventions of harmony and structure.
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The only way to support a revolution is to make your own.
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If it's a good song, it's a good song. I'll take it.
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If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle.
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From Syria even to Rome I fight with wild beasts, by land and sea, by night and by day, being bound amidst ten leopards, even a company of soldiers, who only grow worse when they are kindly treated.
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Every season, I'm like, 'Who knows if I'm going to get another job?'
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Strike the right balance between your outfit and makeup. Make a statement with one, not both.
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I'm an Indian-origin painter. I will remain so to my last breath.
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A dark poem is meant to redeem the dark part.
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Everyone is just nicer to prettier people.
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The past is the beginning of the beginning and all that is and has been is but the twilight of the dawn.
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I'm a way bigger worrier than I ever was before I had kids. And, you know, the stress and anxiety that can go along with motherhood, I have had to battle that.
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I feel like I work on scripts for comedy as well as dramatic stuff the same.
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If I fell into one relationship after another with men who were either emotionally tuned out and unavailable or hotheaded and controlling, or both, it was because I was lacking in good sense about men.
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We all have very personal relationships to what happened on 9/11 and the events after tracking Osama bin Laden. Nobody can escape from the influence of that.
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I am more of a suspense writer. A mystery writer solves mysteries. I am a 'high suspense' writer.
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Women rely on friends. ... That's where we draw sustenance and find safety. We can count on our women friends when we need a good laugh or a good cry.
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Right now I just want to play good roles, and if the role happens to be a gay man, that's not of any import other than, 'Is it a good story? Does it say something that's interesting?'
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The regularity with which we conclude that further advances in a particular field are impossible seems equaled only by the regularity with which events prove that we are of too limited vision. And it always seems to be those who have the fullest opportunity to know who are the most limited in view. What, then, is the trouble? I think that one answer should be: we do not realize sufficiently that the unknown is absolutely infinite, and that new knowledge is always being produced.
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I do think democracy has produced chaos, especially visual. A lot of people don't like it and yearn for nineteenth-century images, forgetting that the politics of those images were different than the democracy we love.
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When the reader and one narrator know something the other narrator does not, the opportunities for suspense and plot development and the shifting of reader sympathies get really interesting.
