Sarah Jessica Parker Quotes
Quotes to Explore
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I've done quite a few things based on real events or real people, and I think that's always really interesting that you can read about them or, if you're lucky, you can meet them.
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I think the National League has better biorhythms in July.
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The little I know I owe to my ignorance.
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I like computers as a tool. I like them as an instrument. I think they're just pretty.
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I think by laying it out for the viewer I'm avoiding the issue of bias.
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There's always going to be a little bit of autobiographical content to everything. It's how you lend some authority to what you write - you give it that weight by drawing on your direct experiences and indirect experiences from people that you know well, or a little.
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I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
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I've lived in LA for so long, I don't even know what is real and what isn't any more.
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I have an abundance of enthusiasm; however, it would be foolish to think I can predict a future that doesn't exist.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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I know there are some actors who are just brilliant at improvising and brilliant at just being in the moment and doing it there and then. I'm not one of those actors.
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I think I've written about family and things in 'Taipei' which could be considered Asian culture.
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On the streets, hanging out with the fellows, there are things you learn that no book can teach you.
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Weeds are flowers too, once you get to know them.
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This time, like all times, is a very good one, if we but know what to do with it.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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I don't know if women are meant to run, especially after having kids.
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I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality.
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You never really know a man until you have divorced him.
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The more I learn, the more I realize I don't know.
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Victoria's Secret is really about celebrating women and what they stand for: the strength.
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I enjoy an accumulating faith in weak forces - a weak faith, of course, easily shaken, but also easily regained - in what starts to drift: all the slow untrainings of the mind, the sift left of resolve sustained too long, the strange internal shift by which there's no knowing if this is the raod taken or untaken. There are soft affinities, possibly electrical; lint-like congeries; moonlit hints; asymmetrical pink glowy spots that are no the defeat of something, I don't think.
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The fact that there aren't an abundance of African-American males that are getting lead roles [and] that are getting roles that have prominence on the big screen. [It's] the same thing from behind the camera; maybe even worse. Coming up, when you're black and you want to direct somebody says, "Oh, you're Spike Lee" or "You're John Singleton."
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What you think you know versus what you actually learn.
