Sarah Kay Quotes
Thinking about writing as an act of celebration is sometimes a helpful framework for me. It allows me to prioritize what I want to call attention to and what I want others to know about me. It makes me ask: What is worth celebrating?
Quotes to Explore
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When you wash your hands, when you make a cup of coffee, when you're waiting for the elevator - instead of indulging in thinking, these are all opportunities for being there as a still, alert presence.
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Teenage girls these days are more and more getting lured into thinking they should dumb themselves down, and that's going to attract the wrong kind of guy, and it's serious. It's serious business.
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I was thinking as a little girl growing up that I would be there. When I look at whether we can go to Mars, it's definitely something we can do.
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I pay attention to lyrics and I know what rap fans care about. I try to write for the average listener and I'm conscious of the mainstream without selling out.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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She was obsessed with French and Swedish cinema. I also remember our mother showing us 'Gone With the Wind' very early on. She absolutely loved Vivien Leigh, so it must have been a formative experience for me, thinking, 'Oh, maybe one day I'll be like Vivien Leigh.'
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My father died in France, and my sisters and I went over with my mum to bring back his body. I remember going to the funeral parlour in France and being given a laminated menu of coffins, and thinking, surely there is an ice cream at the back of here!
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I gave up writing children's books. I wanted to escape from them as I had once wanted to escape from 'Punch': as I have always wanted to escape. In vain.
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Because our fight has been for such a long time we are isolated from the world, even after reconstruction we don't have much attention from people outside.
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This motion-picture muddle had distracted me from my writing.
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Cartography and geographic thinking are cool.
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The only sensible ends of literature are, first, the pleasurable toil of writing; second, the gratification of one's family and friends; and lastly, the solid cash.
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I made a decision when I started writing 'All is Song' to take the compliments I had for 'The Wilderness' and try to be confident and not overwhelmed by it.
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I would love to continue acting. Maybe one day I would like to try writing and directing.
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To move up to hardcover is a way of getting more attention for my books. It means a lot to me: It means my books are legitimate.
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The one thing that's terrible about traveling for fun is writing about it.
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In the end, I want to spend my 60s writing bonkbusters like Jilly Cooper.
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When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.
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Climate change is one of those stories that deserves more attention, that we all talk about, but we haven't figured out how to engage the audience in that story in a meaningful way. When we do do those stories, there does tend to be a tremendous amount of lack of interest on the audience's part.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I could imagine it in a way that felt like remembering.
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You look at passers-by in Rome and think, 'Do they know what they have here?' You can say the same about Philadelphia. Do people know what went on here?
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I liked seventeen-year-old me, I was happy when I was seventeen. I was this troubled goth kid that wore eyeliner and make-up to school and listened to punk-rock music and I loved my friends and I started to make music - I like seventeen-year-old me.
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Thinking about writing as an act of celebration is sometimes a helpful framework for me. It allows me to prioritize what I want to call attention to and what I want others to know about me. It makes me ask: What is worth celebrating?
