Sarah Koenig Quotes
It would be great to do a story and get somebody who is innocent out of jail. That's a wonderful thing.
Quotes to Explore
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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Of course, I'm not allowed to talk about the script, but I can say it is a really good story.
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Moviewise, I would love to make the story of princess Erendira. She was a 16 year old princess/warrior who led her tribe in war against the Spanish around 1513. She almost defeated them, and the Tarascans were the only tribe the Aztecs couldn't defeat.
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I love traveling. But I haven't had big, transformative experiences while on the road. When I go out on the road, it's to go out and get a story or do a promotional event.
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It is expected that a children's story will raise a difficulty and then resolve it: increasingly, this resolution is so prompt and so resounding that one forgets what exactly the difficulty was.
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I'm a novelist, editor, short story writer. I also teach, and I freelance sometimes as an arts consultant. Most of my books have been published by Warner Books, now known as Grand Central Books.
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Without any intended hubris, I've lead a pretty exciting life. What I've tried to do in Mission Compromised is draw on those experiences to create a sense of excitement and realism within the story.
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You know in my own area of Waltham Forest, we've had many murders as a result of the gang violence and often innocent bystanders get caught up in it.
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I love stories with love in them. I just prefer those films. Every so often, I come across a film where there's no love story. It doesn't have to be romantic, but there's a lack of love, and I don't get that.
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I don't read for plot, a story 'about' this or that. There must be some kind of philosophical depth rendered into the language, something happening.
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Any story that I can consider worth telling is one that you could tell in words.
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People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment.
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Over time, naturally, you lose your innocence from gaining knowledge. You can't be innocent forever, but there's something in innocence you need to regain to be creative.
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The growth of my love story had been gradual but my success had always existed and both coupled together formed a deadly combination that was detrimental to our love. I wanted people to love me. She wanted them to leave her alone.
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Now that I'm famous, guys don't hit on me.
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There were certain films where I went, 'Oh, my God, I'm doing a movie.'
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It would be great to do a story and get somebody who is innocent out of jail. That's a wonderful thing.
