Sarah Silverman Quotes
I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
Quotes to Explore
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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The idea behind a dish - the delight and the surprise - makes a difference. Great literature surprises and delights, and provokes us. It isn't just 'Here's the facts - boy meets girl, boy loses girl, boy gets girl.' It's how you tell it.
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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You as an audience can look at these things as films, but I remember them as social experiences.
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The film depends on the audience's belief in this relationship.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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I've always been really involved in figuring out who my audience is and how to reach them.
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I like to surprise people. I try to take risks.
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That was my first introduction to BMWs in 1978, when my friend bought it for me as a surprise with my money. And ever since then, I've stuck to BMWs.
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Anytime you get an audience that's paying attention, you enjoy it more.
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I think music naturally wants to be played with more than one person. There's a surprise element, and you don't know what it will be, and it's up to that other person's energy to help create this third thing.
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When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
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I don't say that I'm going to be like every other comic that's blue, or gratuitous use of language. I do try to have my own standards: I don't do everything the audience wants, and I do try to surprise them.
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Let an audience be able to find it themselves without spoonfeeding it.
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I don’t think I have really imprinted on the audience as any kind of character, including a serious or calm one. So I want to play a similar character one more time, but one where I can really make an impact, before moving on to try different roles.
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I had kind of sworn off network TV a while ago.
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My father died when I was nine and a half. We were on relief for two years. They call it welfare now, but it was relief then... I never forgot the generosity of New York.
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If you can make the song a soundtrack to what you're living at the time, I think that's the most important part of a song.
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Instill respect for teachers.
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I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
