Sarah Silverman Quotes
I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
Quotes to Explore
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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The idea behind a dish - the delight and the surprise - makes a difference. Great literature surprises and delights, and provokes us. It isn't just 'Here's the facts - boy meets girl, boy loses girl, boy gets girl.' It's how you tell it.
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As a director, there is nothing more fun than seeing an audience screaming and jumping. You are the ultimate puppet master, controlling the emotions of the audience.
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You as an audience can look at these things as films, but I remember them as social experiences.
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The film depends on the audience's belief in this relationship.
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All the things that most kids hated, I loved. I loved that things were asked of me and that, much to my surprise, I was able to do them. I loved the 10 o'clock bedtime. I loved the responsibility.
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I've always been really involved in figuring out who my audience is and how to reach them.
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I like to surprise people. I try to take risks.
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That was my first introduction to BMWs in 1978, when my friend bought it for me as a surprise with my money. And ever since then, I've stuck to BMWs.
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Anytime you get an audience that's paying attention, you enjoy it more.
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I think music naturally wants to be played with more than one person. There's a surprise element, and you don't know what it will be, and it's up to that other person's energy to help create this third thing.
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When you have these surprise breakout films that do well, that have good performances in them, it puts a lot of pressure on the Academy to recognize those projects, so it's more of a conversation about what is greenlit.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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I want to try something different in Hollywood, to tell the audience I am not just an actor star - I am an actor, too.
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I don't say that I'm going to be like every other comic that's blue, or gratuitous use of language. I do try to have my own standards: I don't do everything the audience wants, and I do try to surprise them.
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Let an audience be able to find it themselves without spoonfeeding it.
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Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
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On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.
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Love is a beautiful feeling.
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Every child had a pretty good shot, to get at least as far as their old man got. But something happened on the way to that place. They threw an American flag in our face.
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Real practice means working on stuff you're not good at. Real practice is about butting your head against the wall repeatedly until you get it right.
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I became known for surprising audiences. Except now, if I surprise them every time, they expect that.
