Sasha Cohen Quotes
I don't take anything for granted with nationals. I can't count out anyone or know what anyone is doing. I have to prepare the best I can, that's all I can control. I don't consider myself to have anything on a platter.
Quotes to Explore
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I attended the bedside of a friend who was dying in a Dublin hospital. She lived her last hours in a public ward with a television blaring out a football match, all but drowning our final conversation.
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I love to look back, but I don't want my music to be nostalgic. I want it to have the same vibrancy that the music I love had when it came out. I'm trying to get that electricity.
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I remember when I was little, much younger than I was when I started modeling, people always said, 'Oh, you should be a model.' But I didn't like people telling me what to do... But I didn't plan to transform into an actress, either. It just happened.
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I don't think there's a perfect time to have kids. I think first you have to find the perfect person.
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Is it possible that there are no coincidences?
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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For me, whenever I would see a lot of 'black films,' I didn't feel represented in it. I didn't feel connected to the characters or the situations or the humor.
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If a queen bee were crossed with a Friesian bull, would not the land flow with milk and honey?
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
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I don't have any dream role. I give my 100% to every character I play, and when the film clicks, it automatically becomes a dream role.
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I was relatively technically adept. I can edit and wire up a light.
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I work in my attic, and the view is next door's chimney stack.
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Try as you will, you cannot annihilate that eternal relic of the human heart, love.
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I learned this early on in the variety business: You've got to give folks responsibility, you've got to trust them, and then you've got to check on them.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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Corporate nationalism to me is a little bit like what would have happened if Hitler had won. It's scary stuff. It's totalitarianism in a different from, under a different flavour.
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For 'A Little Night Music,' I did try to get little bit more beefed up for that because I thought that would help me carry myself around the stage in that character.
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There was always a strong sense of femininity in the house, always that presence. And while it wasn't founded by a woman, the family always had this brilliant intuition for being surrounded by great women. Not that I am a great woman - I don't want to say that! - but there were always great women in different ages who had really a strong idea of style and could really translate the know-how of the house.
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Do you know why Albert Camus was so prolific? He wrote to keep from screaming.
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Don't say anything online that you wouldn't want your mother to read.
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If one is the master of oneself, one is the resort one can depend on; therefore, one should control oneself of all.
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If I prepare myself for a character, for a role, I always try to understand her.
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I don't take anything for granted with nationals. I can't count out anyone or know what anyone is doing. I have to prepare the best I can, that's all I can control. I don't consider myself to have anything on a platter.
