Scott Adams Quotes
In Japan, employees occasionally work themselves to death. It’s called Karoshi. I don’t want that to happen to anybody in my department. The trick is to take a break as soon as you see a bright light and hear dead relatives beckon.
Quotes to Explore
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I think that we are trying to put data communications, telecommunications and media communications together and be the No. 1 player there.
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And it's one thing to give people freedom and something else to deny the rights of Christians to assert their faith in order to keep Hindus from feeling upset.
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The rebuilding of Iraq has been terrible.
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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We live on a planet that is amazing, beautiful, and full of wonder but not protected from powerful destructive forces of nature. We are capable of doing wonderful and selfless things but also self-absorbed and harmful things. This is the world we live in.
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People often ask me, was it hard to play this person or that person? Well, no, not really. Acting is what I do. It's my job.
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I really would like to be involved in things and to understand things, and in some ways you've got to be careful what you wish for because I feel very, very blessed to have such an interesting life and to be able to have little snapshots of lives of people from many different parts of the world.
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I still live in Inglewood and have a great relationship with my Mexican family.
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I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.
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On that show, I did country and some rock, too, whatever record I had out at the time, I'd sing that.
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I like writing about women, weak and strong, pathetic and heroic. I like writing about men, ditto. And all the variants of men and women, beasts and demons.
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I just want to balance myself holistically and see what different foods do what to me.
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The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are.
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There is some humour in 'Family Values.' I don't want everyone to think it's not going to make them laugh. But there are quite a lot of poems there that aren't funny at all.
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To me the thing with 'Grease' was that it was the first movie that as a kid I wanted to get up and do what they were doing.
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I'm the Ernest Hemingway of 140 characters.
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You come into the world alone and you go out of the world alone yet it seems to me you are more alone while living than even going and coming.
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I should have forfeited my own self-respect, and perhaps the good opinion of my countrymen, if I had failed to resent such an injury by calling the offender in question to a personal account.
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I never resist temptation, because I have found that things that are bad for me do not tempt me.
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At the time, I was making good money doing background work and demos.
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In Korea, the director is on top, and the power flows down vertically. On the set, I love to come up with ideas on the spot. But in Hollywood, if I were to come up with a certain idea on set, the idea had to be taken to all these different people who had to agree.
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Flowers are as common in the country as people are in London.
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In Japan, employees occasionally work themselves to death. It’s called Karoshi. I don’t want that to happen to anybody in my department. The trick is to take a break as soon as you see a bright light and hear dead relatives beckon.
