Ranbir Kapoor Quotes
Quotes to Explore
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I actually think I have an audience member's sensibility about going to the movies.
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I just enjoy being onstage and relating to the audience.
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When you are performing in theater, you feel so connected to your audience. It's exhilarating!
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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Before 'Raman Raghav 2.0,' I played a criminal in 'Badlapur.' Though the character was innocent, he was not correctly interpreted by some sections of the audience.
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The comedian can put the punchline out there, but it's the audience that receives it - and has to get it.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I don't think about who the audience is for my books.
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I have to grow with my audience.
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You as an audience can look at these things as films, but I remember them as social experiences.
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The film depends on the audience's belief in this relationship.
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When your life is as precious as all our lives are, then it needs to be kept precious and looked after and treated well. And that is not something we should be sharing with a wider audience.
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I don't have a director. The audience directs me.
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I believe that given the audience attention level, we could do an even more compelling 90 minutes.
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The audience has always been my best director.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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When you can assume that your audience holds the same beliefs you do, you can relax and use more normal means of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost-blind you draw large and startling figures.
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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Every laugh is not equal. They come from different places. That's sort of the challenge I go towards, making sure the laughs are for the reasons I want. It becomes a back and forth dance with the audience.
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I don't live for the stage. I don't live for an audience.
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The chemistry of a pair on screen is known only when the audience reacts to it.