Nick McDonell (Robert Nicholas "Nick" McDonell) Quotes
The more I have written, the less it has been about exploring myself, and the more it has been about exploring the world around me.
Quotes to Explore
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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I can think of no one that my grandparents knew, that told me stories and that I experienced myself, had any sense of social inferiority growing up in segregated Washington. None whatsoever.
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I suppose Spotify is a good thing. The ads are quite annoying, but a lot of people seem to like it and use it. I don't myself, but it seems like a good idea, and the labels are getting a huge amount of money off it, but the artists aren't, so that must be good for them... but not us.
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Back then I said to myself 'screw football.' Actually I just took part in this camp as there was nothing better for me to do. They also didn't draft me because they thought I was too wild and undisciplined.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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For the last few years I've tried to force myself to write at least one page every day, which doesn't sound like much but it's actually pretty hard to manage. Because I'm not allowed to do a make-up day. I can't do two pages the next day. The punishment for not completing my page is that I have to eat a vegetarian meal the next day.
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One of the first gardens I did outside the family was for the designer Hattie Carnegie. I was 23 then, and I went to her salon, but could not afford any of her dresses myself, though I loved them. Miss Carnegie suggested I do a garden in exchange for a coat and dress, and so I designed and planted a garden for her.
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I pride myself on not being run of the mill. I don't want to be your umpteenth Fantine in 'Les Miz.'
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Every story I create, creates me. I write to create myself.
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Myself when young did eagerly frequent doctor and saint, and heard great argument about it and about: but evermore came out by the same door as in I went.
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I never set out to become 'famous.' I mean, when you're 14 you think 'I'm gonna become a writer and people will want my autograph and that'll be cool,' but you grow up and you learn that's just not how the world works. I resigned myself to the fact that I would probably never be published and if I did it probably wouldn't be a big deal.
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I have this phobia: I don't like mirrors. And I don't watch myself on television. If anything comes on, I make them shut it off, or I leave the room.
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College wasn't something I saw myself doing.
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I've seen myself on those lists of the 100 best guitarists, and if they think that I'm that good, thank them. Thank God for them. But I don't think so.
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I'm a student of the movies. I'm a student of all media. This is what I do, and I like to immerse myself in what's current and what's topical. And I find that I'm drawn to those things.
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I could not separate myself off stage from myself on stage, as so many actors can.
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I want to make sure that people know that I can only be myself - I can't be a spokesperson for people with disabilities, because everybody has a completely different experience. I'm glad that I'm able to inspire parents to see one way to deal with it, but at the same time, I tell a lot of dirty jokes.
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By the age of 24, I found myself convicted in prison in Egypt, being blacklisted from three countries in the world for attempting to overthrow their governments, being subjected to torture in Egyptian jails, and sentenced to five years as a prisoner of conscience.
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I don't worry too much about the script, I just ad lib, like Pearl Bailey.
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My work is like a dialogue between me and unseen powers, like alchemy.
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I'm very fortunate to have the privilege of working with directors like Bill Condon and Paul Thomas Anderson, who I think is one of the greatest filmmakers of our time.
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I would disagree that America is any more racist or ridiculous than anywhere else.
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The more I have written, the less it has been about exploring myself, and the more it has been about exploring the world around me.
