Scott Turow Quotes
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After a week, it's better. I miss her. I mourn her. But some peace has returned. She had been so unattainable - so young, so much a citizen of a different era - that it is hard to feel fully deprived.
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The great break of my literary career was going to law school.
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As a defense lawyer, he refused to condemn his clients. Everyone else in the system-the cops, the prosecutors, the juries and judges-would take care of that; they didn't need his help.
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Widespread public access to knowledge, like public education, is one of the pillars of our democracy, a guarantee that we can maintain a well-informed citizenry.
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Poison Pill is a great reading. The novel ranges from Russian oligarchs to the American worlds of drug research and the equity markets, all of it in a mode of high suspense.
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'Torts' more or less means 'wrongs'...One of my friends said that Torts is the course which proves that your mother was right.
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Courage is not the absence of fear but the ability to carry on with dignity in spite of it.
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I cannot think of a day in my life when the library didn’t exert a potent attraction for me, offering a sense of the specialness of each individual’s curiosity and his or her quest to satisfy it.
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People talk of me as being the inventor of the legal thriller.
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People are offering competing visions of what happened in the past. And the justice system is willing to accept either of those competing visions and to impose consequences as a result. When you think of it that way, it's a little bit startling, because we want to believe that there is one truth and, therefore, one justice, whereas, if you have practiced law as long as I have, you realize that there is actually a range of acceptable outcomes.
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There cannot be any greater challenge to the law than trying to adjudicate mass crimes like war crimes.
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What kills a person at twenty-five? Leukemia. An accident. But George knows the better odds are that someone who passes at that age dies of unhappiness. Drug overdose. Suicide. Reckless behavior.
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The truth of the matter is that the people who succeed in the arts most often are the people who get up again after getting knocked down. Persistence is critical.
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I really do believe that chance favours a prepared mind. Wallace Stegner, who was one of my teachers when I was at Stanford, preached that writing a novel is not something that can be done in a sprint. That it's a marathon. You have to pace yourself. He himself wrote two pages every day and gave himself a day off at Christmas. His argument was at the end of a year, no matter what, you'd got 700 pages and that there's got to be something worth keeping.
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The Guild is the authoritative voice of American writers.
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At the end of the day, perhaps the best argument against capital punishment may be that it is an issue beyond the limited capacity of government to get things right.
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The law, for all its failings, has a noble goal - to make the little bit of life that people can actually control more just. We can't end disease or natural disasters, but we can devise rules for our dealings with one another that fairly weigh the rights and needs of everyone, and which, therefore, reflect our best vision of ourselves.
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The prosecutor, who is supposed to carry the burden of proof, really is an author.
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I have a hard time isolating what it is in myself that makes me so fascinated with the theme of identity, because I came from a normal upper middle-class family. And yet, as I look back at my books, the uses of power, issues of identity, they have - it's recurrent. It happens again and again.
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Nobody ever gets what they want when it comes to love.
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If the rewards to authors go down, simple economics says there will be fewer authors. It's not that people won't burn with the passion to write. The number of people wanting to be novelists is probably not going to decline - but certainly the number of people who are going to be able to make a living as authors is going to dramatically decrease.
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I tend to write in the mornings.
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Postmodernism cost literature its audience.
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On the streets, unrequited love and death go together almost as often as in Shakespeare.