Scott Weiland Quotes
As I've gotten older, I've found that I'm not afraid anymore to throw my influences into making a record.

Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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I am a record executive and I shall be right there in your face with my records.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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Since I was 13 or 14 I've always felt older than I actually am.
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I have a relatively good track record.
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As I've gotten older, my love for jazz has increased.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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Older, younger, anyone can help. We've learned that our legislators listen, and people with passionate and thoughtful concerns make a difference every day. We've had constituents initiate legislation, lobby for it, organize meetings and events, and, of course, call, mail, e-mail and visit legislators to express their views. It's really great to see how much difference that individuals can make.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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We got on American Bandstand, where kids would dance to a record and then rate it. We called ourselves Tom and Jerry. I was Jerry.
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We were feeling desperate, We started writing songs; Question Mark would record everything we practiced. I came up with some chords, and Question Mark started singing Too Many Teardrops.
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Now we've finally been able to give them a common home where they work really well as a whole, which is a relief. We didn't want to see them just trickle out randomly or even worse just sit in the vault until the next record or who knows how long. So that's the beauty of technology: We can get songs out to our fans whenever and however we want.
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In America, people buy cars, and they put very little money down. They get a car, and they go to work. The work pays them a salary; the salary allows them to pay for the car over time. The car pays for itself.
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As I've gotten older, I've found that I'm not afraid anymore to throw my influences into making a record.