Scott Weiland Quotes
As I've gotten older, I've found that I'm not afraid anymore to throw my influences into making a record.
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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I am a record executive and I shall be right there in your face with my records.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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Since I was 13 or 14 I've always felt older than I actually am.
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I have a relatively good track record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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As I've gotten older, my love for jazz has increased.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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Wearing a bold print gets harder as you get older. It's safer to stick to subtle prints or block colours. I have always found prints quite tricky. My daughter Carly, who is on the design team at Stella McCartney, is obsessed with them.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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When you make a record, you listen to it literally hundreds of times. When it's done and you can't do anything else, I never listen to my records.
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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One comes, and one goes. Basically, what you leave behind is the record.
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I wanted to talk to very young kids about self-image and about being different and how that can be your strength, especially from the immigrant perspective.
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I don't want names, but you have to have bumped into some pretty nasty artists with pretty big chips on their shoulders. I'd like an anecdote about the most obnoxious personality you had the misfortune of working with, albeit as anonymously as you feel comfortable divulging.
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I think about what's the best way to serve people. In business, if you do more for others than anybody else does, you dominate. That's the bottom line.
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If one marries out of necessity, he will have to reincarnate to reach the point where he wants to live only for God.
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As I've gotten older, I've found that I'm not afraid anymore to throw my influences into making a record.
