Sean Bean Quotes
I think that you always have something left, that you take something of the character with you.
Quotes to Explore
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I'm a breakfast type of guy. Don't get me wrong. I can cook, I'm kinda nice on the burner, but I enjoy making breakfast. I do it all... Scrambled eggs... French toast... Pancakes... Breakfast is my thing.
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Other families who are poor do what they can to get out of it. My mother did not. She did not utilise her resources. She had a degree. There was something she could have done, but she actively, purposely refused that so we could have this absolutely authentic experience of the worst of capitalism: 'See? Look how bad capitalism is.'
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It's good to go out and entertain these people, and you've got them on the edge of their seat, they're standing up. Then you know that you've done your job, you've entertained them. My way of entertaining them is going out and wrestling. Everyone's got their different ways.
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Beneficial in theory, so-called free trade agreements far too often have been detrimental to the United States economy and the manufacturing sector that forms its central pillar.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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There is a large body of abolitionists in Clinton and Clark Counties in this state, and in Wayne County Indiana, that would undoubtedly support such a store, but whether their support would be sufficient, I am unable to say.
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Every year we celebrate the holy season of Advent, O God. Every year we pray those beautiful prayers of longing and waiting, and sing those lovely songs of hope and promise.
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I'm not terribly confrontational, but I've gotten better at holding my ground.
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If the tongue had not been framed for articulation, man would still be a beast in the forest.
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I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
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Good reporting should have the same standard as in a courtroom - beyond a reasonable doubt.
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If it's not 100 per cent pure maple syrup, it can't be called 'pure maple syrup.'
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I'm not very good at strategizing.
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I never read books - and still don't read books - to develop them.
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It is difficult to describe in short the enthusiasm and devotion provoked by and given to my research. We lived almost in poverty. I used pencils, two for a nickel, and could not buy a fountain pen, when I lost mine.
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I've always had the wish, the nostalgia to be able to write detective novels. At heart, the principal themes of detective novels are close to the things that obsess me: disappearance, the problems of identity, amnesia, the return to an enigmatic past.
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Once is happenstance. Twice is coincidence. Three times is enemy action.
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There is this aura that the three-act play is the important one: it's the one that you do to win the Pulitzer. Some part of you falls for that, and then after a while, you don't fall for that.
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I can't sing. As a singist I am not a success. I am saddest when I sing. So are those who hear me. They are sadder even than I am.
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I think every major character I've played was originally for an older woman. I have no idea what that says. I guess I'm mature for my age.
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In 1977, at age ten, I was cast on the TV sitcom 'Good Times.' My character was Penny, an abused child in desperate need of love. I really didn't want to do the show. I didn't want to be away from my family.
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Just try to keep the heart turned outward, as well as having moments inward. I think the threat of an industry like this is that you can become sort of self-obsessed. There's so much praise being given to you - there's a real threat of exalting the ego.
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I think that you always have something left, that you take something of the character with you.
