Henry Louis Gates Quotes
It is the black poet who bridges the gap in tradition, who modifies tradition when experience demands it, who translates experience into meaning and meaning into belief.
Quotes to Explore
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Every ghetto you go to, Latinos and blacks are the two people that are together. We don't look at each other in any different way, like 'He's black; I'm Latino.' I look at us as one.
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We believe it is comprehensive international sanctions against the white regime that will save us from the slaughter of hundreds of thousands of South Africans, black and white.
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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Besides black art, there is only automation and mechanization.
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In a completely integrated unit where you'd have white soldiers, particularly from southern states, serving under black noncommissioned officers or officers... I think you would have a problem definitely.
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College was where I got to actually experience the difference between black and white.
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The economic dynamic in Zimbabwe is perversely robust: while ordinary people suffer, black-market dealers and people with foreign bank accounts prosper, making them powerful stakeholders in the perpetuation of devastating economic policies.
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Black people must address itself to the causes of poverty. That's oppression in this country.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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We have a vision of South Africa in which black and white shall live and work together as equals in conditions of peace and prosperity.
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Bootworks' Black Box Theatre has a maximum seating capacity of two - as long as one of you is happy to sit on the other's lap.
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People only look at you and say, 'You are black and you are from the banlieue,' and all the doors are closed. I had the desire to be something else. If I see a door that is a little open, I will find a way to get through.
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I never hated hip-hop. It became the new rock and roll. It became the biggest thing that Africans have ever done in the history of the Americas. Hip-hop put more black Americans on than anything before it. It fed more people. It allowed them to diversify into clothing lines and billion-dollar headphone companies.
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Black and white creates a strange dreamscape that color never can.
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I happen to think that conservatism, when properly applied to the 21st century, could actually help everybody. And the message of Trump's campaign was obviously not super-appealing to Latino Americans, black Americans and so forth. That really bothered me.
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Even before 9/11 I was gripped by a sense of dread: our lack of criticism about what we were doing in the Middle East - the slagging off of a whole religious tradition.
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There's no white comic that sells tickets to black people like me. They're going to get their hair done, get a new outfit, and come out to see a white dude.
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Europeans forget that one-third of the American people have had a personal conversation with Jesus Christ and that the born-again are not just little old ladies in black but also CEOs and provosts of universities and candidates for office.
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'Black Swan' was absolutely unbelievable. I had always dreamed of working with Darren Aronofsky, and Natalie Portman, Winona Ryder, Barbara Hershey, Mila Kunis and Vincent Cassel. The entire cast was really a dream cast, and it was amazing to work with these powerhouse women that I've just admired for so many years.
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It's important that I get time to run, to just go for a jog for about 30 minutes. It helps with my voice, but it also kind of gives me a little bit of time to myself - and you get to see a city.
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It's hard to find black roles that are just whimsical and fun and colorful. And I think, in many ways, that can be just as powerful in making commentary about race through movies.
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We go into nature to transform.
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It is the black poet who bridges the gap in tradition, who modifies tradition when experience demands it, who translates experience into meaning and meaning into belief.
