Seneca the Younger (Seneca) Quotes
Quotes to Explore
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I don't believe in accidents. There are only encounters in history. There are no accidents.
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I was always more interested in the ultimate live performance rather than the recording for its own sake. And, for the audience too, that thrill of - just being there.
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I never got into politics for it to be a career.
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We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.
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I'm the best Twitterer.
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Thou shalt not give birth reluctantly.
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It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
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Don't compare me to Babe Ruth. God gave me the opportunity and the ability to be here at the right time, at the right moment, just like he gave Babe Ruth when he was playing. I just hope I can keep doing what I've been doing - keep taking care of business.
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Some people find an interest in making money, and though they appear to be slaving, many actually enjoy every minute of their work.
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Although she feeds me bread of bitterness,And sinks into my throat her tiger’s tooth,Stealing my breath of life, I will confessI love this cultured hell that tests my youth!
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My hairstyle is not common in India, where my parents come from.
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All of my music is honest.
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I think it's going to be amazing to see how the world of microbiology, molecular and cellular biology, and human physiology is massively changed by microgravity.
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I realized I was a girl playing with all of these great musicians, but race and gender never did cross my mind, really, until other people started talking about them. They weren't really an issue for me.
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Black women know that we've got to take care of it - so we take care of it. It's just embedded in us.
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The serenity prayer, 'God grant me the strength to accept...' That's a prayer that's actually in my car. I say it every day.
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I had done a couple of auditions for 'Amistad' and didn't feel it was going to go any further - and then the call came about heading to Los Angeles to work with Steven Spielberg. It was surreal: exciting, challenging, overwhelming.
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Denver is home to me, and to be recognized for my achievements in the sports community here is a great honor.
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We taped all this and then got it transcribed and picked the best lines or ideas or ways to take a scene. I've done that many times, and it can improve the script but also wreck a perfectly good scene.
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We have merely scratched the surface of the store of knowledge which will come to us. I believe that we are now, a-tremble on the verge of vast discoveries - discoveries so wondrously important they will upset the present trend of human thought and start it along completely new lines .
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So it was doing all this research or going to the archives or doing all these interviews or traveling, and then trying as much as I can to delete all of that research in a later draft so that all the reader cares about is the characters.
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I wrote a song several years ago while I was in college called 'Muscadine Wine.' I really didn't know if it had potential or not, if it was good or bad or what. I played it for my roommates - who I played ball with - one night, and I knew they would tell me the truth. They loved it, and that encouraged me.
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Humanity is fortunate, because no man is unhappy except by his own fault.
