Sergei Eisenstein Quotes
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
Sergei Eisenstein
Quotes to Explore
Democracy is the art and science of running the circus from the monkey cage.
H. L. Mencken
I've been very lucky and been able to work, as an actress, but I'm definitely a working actress. I get a script, I audition, and then I pray.
Laura Haddock
I'm not a consumer. I hate buying clothes. I don't have a mobile. I just don't need things. I don't like things.
Yann Martel
My dance teacher will show me pictures of girls who are rhythmic gymnasts, and they are super skinny. But I don't want to be too skinny. I think that looks a little gross when you are dancing. You don't want to be a scrawny, bony thing.
Maddie Ziegler
When I did these psychological characters like the drug addicts, the ones who were rejected and dejected, I started to feel a sort of melancholia which was very unnatural for me to have at a teenage. Then I avoided those characters.
Kangana Ranaut
Coming from a middle class background, travel was always considered a luxury then, even if it meant going to a relative's place or a religious shrine.
Imtiaz Ali
Miami's not anybody's poor cousin. It's an aspiration to live in this town, not something you have to do to promote yourself like some of the larger cities.
Iggy Pop
Leave behind the passive dreaming of a rose-tinted future. The energy of happiness exists in living today with roots sunk firmly in reality's soil.
Daisaku Ikeda
Silence is letting what there is be what it is. In that sense it has to do profoundly with God: the silence of simply being. We experience that at times when there is nothing we can say or do that would not intrude on the integrity and the beauty of that being.
Rowan Williams
In drawing after drawing, pastel after pastel, painting after painting, the contours of Degas's dancing figures become, at a certain point, darkly insistent, tangled and dusky. It may be around an elbow, a heel, an armpit, a calf muscle, the nape of a neck.
John Berger
Now why should the cinema follow the forms of theater and painting rather than the methodology of language, which allows wholly new concepts of ideas to arise from the combination of two concrete denotations of two concrete objects?
Sergei Eisenstein