Seth Gabel Quotes
The biggest fear you face, as an actor, is whether people are going to like you. When you learn to let go of that fear, you can go so much deeper into the role and really take much bigger risks 'cause you're not worried about trivial things like that.
Quotes to Explore
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If people want to really know what's up with me then they can read one of my interviews.
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It is quite common to meet people that live a few kilometers away from Mexico and that have never been there. We need to revive on many levels an illustrious desire to get to know the world, to learn another language, to understand and create empathy with people that live a few kilometers away from us. It's never late to do this.
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There was no United States before slavery. I am sure somebody can make some sort of argument about modern French identity and slavery and North Africa, but there simply is no American history before black people.
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Our dream as actors is to tell interesting stories about interesting people.
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Lots of people have objections to prizes of all types, and it would be extraordinary if everybody agreed on anything that's worthwhile - they never do.
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Great songs come out of people's bedrooms; they come out of studios; there's no formula for it.
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People who watch 'Transporter' are maybe asking a little less about reality, being serious, and so on.
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I respect people who can do both careers, like Will Smith and a couple of other people who have done it, but I just don't know when they sleep.
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I struggle to come up to people and say what I think.
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I became a larger than life figure for one reason only. When you're quoted in the 'Wall Street Journal', the 'New York Times', constantly as the expert in the business people assume you're a lot bigger than you are. And then I had to run like hell to catch up with my own image.
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I am the biggest klutz on set. I honestly don't think I have ever been as klutzy as when I'm on set. People call me 'Grace' ironically because I'm not graceful. It's ridiculous.
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In a free society, government reflects the soul of its people. If people want change at the top, they will have to live in different ways. Our major social problems are not the cause of our decadence. They are a reflection of it.
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On 'The Guiding Light' I enjoyed working with Jamie Goodwin and Ellen Parker, who played my sister. I loved working with Jerry Ver Dorn and Jay Hammer. I mean, there's some great fun people that I've really enjoyed.
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When people lack teachers, their tendencies are not corrected; when they do not have ritual and moral principles, then their lawlessness is not controlled.
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We like to put people on a pedestal, give them one character trait, and if they step outside of that shrinelike area that we blocked out for them, then we will punish them.
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Manufacturers are making products kosher to get in on that market, plus more people are looking for kosher.
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The profession is never going back to those days when a handful of wealthy people treated publishing like a hobby: one where the business can lose money because the family has lots of it to burn. Frankly, I don't think that model was ever sustainable, and it really only enriched a small number of writers.
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I've been urged by people forever to try and start a real Rock Hall of Fame. I've had some very, very preliminary discussions about doing it. Obviously, I can't do it myself, but there are a lot of people interested in that.
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I made people laugh as a kid, but that's not how you make a living.
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As difficult as it can be to find genuine inner calm, it is the key to creating peace in the world as we know it. The world will not change until we do, and there is nothing the world can deliver to us that will give us the peace we crave. Peace comes not from the world, but from God.
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President Obama has repeatedly urged Congress to let the Bush tax cuts expire for those earning more than $250,000 a year. Increasing rates on top earners is an obvious way to raise revenue from those who can afford it most.
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The people of America care about baseball, not about your squalid little squabbles. Reassume your dignity and remember that you (players during the 1981 strike) are the temporary custodians of an enduring public trust.
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The biggest fear you face, as an actor, is whether people are going to like you. When you learn to let go of that fear, you can go so much deeper into the role and really take much bigger risks 'cause you're not worried about trivial things like that.
