Walter Koenig Quotes
Quotes to Explore
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I was a little girl fighting as a partisan against Nazi-Fascism.
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By nature, I'm a very positive person, and because I'm happy in myself, and in my life, and I've got a great husband, and beautiful children, and I have a job that I love that calls for a certain amount of emotional expression, I get to realise a lot of my dreams and aspirations.
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The 1970s was the decade of developments in the new area of information economics. Search theory, which emphasized the need to gather information, was joined by models that featured asymmetric information, the case in which information differed across individual agents.
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I tour with a piano, actually. Luckily I am able to hire people that deal with it completely and magically a piano appears on stage and then magically disappears when I leave.
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If someone is alone reading my poems, I hope it would be like reading someone's notebook. A record. Of a place, beauty, difficulty. A familiar daily struggle.
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I'm a little angry in life.
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It was pride that changed angels into devils; it is humility that makes men as angels.
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Corruption is in society and in every strata of society.
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I realized that I'm a soft person. I think I'm sensitive. I wanted very much to be tough and I think movie stars have a certain kind of resilience and toughness to them, but I'm quite a sensitive young lady in some respects.
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I lead a normal life and I don't assume there is anything I can impart to people. The only reason to write a book would be to make money, and I don't want to do that. To write a book would be going against how I've lived.
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Fortune cookies are a good idea. If the message is positive, it can make your day a little better.
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I grew up in Synagogue in the boys' choir. We didn't listen to music in the house; only at temple. Then I went to a mostly African American high school on the South Side of Chicago and joined a gospel choir.
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Most women find a man with good manners sexy.
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The flesh is the surface of the unknown.
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In metros, girls are very independent, conscious and aware. But in the interiors of our country, where education is not given importance, they continue to be oppressed. But it is important for every woman to acknowledge what she wants from herself rather than going for what people expect from her.
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I was getting a little bored with my hair. It's kind of a symbolic thing, just getting rid of the past, moving forward. It's amazing what a reaction you get when you cut your hair.
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I don't know what 'famous' is, really.
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I look more to the future. That's where my head is at.
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Whenever you get into a new environment, it's scary. You don't know the people; you're not really comfortable with the machine that the show is.
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One day, I was taken into a room with 25 animators, all working on Sadness. They asked me a lot of questions, and they got something of the way I move into the character.
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I see genres as generating sets of rules or conventions that are only interesting when they are subverted or used to disguise the author's intent. My own way of doing this is to attempt a sort of whimsical alchemy, whereby seemingly incompatible genres are brought into unlikely partnerships.
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Even though Haitian women are considered the 'poto mitan' - the 'central pillars' of the family and their communities - they are often the most underserved members of already poor communities.
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I'm always looking for a low-budget script with an interesting character to play.
