Lao Tzu Quotes
Quotes to Explore
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I think talent makes me really attracted to someone more than anything.
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I like science fiction, I like fantasy, I like time travel, so I had this idea: What if you had a phone that could call into the past?
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Customers want new things, and the way that they get them isn't written in stone.
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I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
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At school, I was a tomboy, and it would be me and all my guy friends.
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What I'm interested in is the fascinating image of young leaders... you know, young people leading in different fields. You see athletes and people in gymnastics, where the requirement is that you are supple and very, very young... 11... and by the time you're 14, you're already over the hill.
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I've been doing stand-up since I was 15 years old.
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I feel like a younger man, and I'm sure having a child and all that has to do with that.
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The search for the truth for truth's sake is the mark of the historian.
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The biggest cowards are managers who don't let people know where they stand.
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My theory was that what I had to do was make a study of human behavior.
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Emilia Clarke has beautiful brunette hair.
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That brain of mine is something more than merely mortal, as time will show.
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The happy combination of fortuitous circumstances.
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The nearest approach I have ever seen to the symmetry of ancient sculpture was among the Arab tribes of Ethiopia. Our Saxon race can supply the athlete, but not the Apollo.
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The more women serve in executive office, the more confidence they gain in themselves and that voters gain in them.
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We need to quit arguing about whether the glass is half full or half empty - and instead acknowledge that there's not quite enough water to go around.
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Unfortunately, anti-Darwinism keeps playing minor variations on the same negative themes and adds nothing to our understanding of life.
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I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
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I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.
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Dialogue is what a character's willing to share and reveal to another character, and the 90% they aren't willing to share is what I do for a living.
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When I come home, it's about my kid, who needs to eat, needs to do homework, and needs to get to basketball. I don't have a lot of time to think about me.
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I am wearied, as if I lacked a home to go to.
