Caitlin Stasey Quotes
Quotes to Explore
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It was a great opportunity that I had to take - my very own theater. That comes along once in a lifetime. It doesn't even seem like 15 years ago - time sure flies by. I've really had a lot of fun with it.
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I'm not a Republican.
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I feel fine as long I'm not running around.
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It's one of the reasons I don't do drugs. One sniff and I'd go all the way.
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Our message of a balanced budget amendment, term limits to end career politicians, and a real plan to keep America safe is resonating with voters.
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I don't think immigrants are that threatening to society at all. They're just happy they've survived some war somewhere.
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When I was in college, I studied business because I thought I wanted to be a director and producer.
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An alliance of civilisations can be our most powerful weapon in the fight against terror.
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'Sister Act' was my first audition out of school. I was 21 and cast as the understudy. It was non-Equity, so I lived in L.A. on $300 a week. I did that for a month and then came to New York to do a couple of gigs, including 'Hair' in the park, before going to London with 'Sister Act,' where I played the lead.
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After 'Lindbergh,' my publisher asked whom I wanted to write about next. I said, 'There's one idea I've been carrying in my hip pocket for 35 years. It's Woodrow Wilson.'
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I mean, I think we're put here on earth to make your own destiny, to begin with. I don't think there's anything you can do this way or that way to change anything.
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We're seeing a crazy appetite for people to acquire and invest in British businesses.
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It's very scary to turn things down, but a project has to really mean something to me. I'm not interested in making a lot of money.
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You have to treat Hollywood like it's your boyfriend - he's there all the time.
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When I was in jail, I was a lot of people's favorite person. I practically ran the jail. I had more freedom than the police.
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As a neurosurgeon, I did not believe in the phenomenon of near-death experiences.
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Of course, my interests and my focus change and become more diverse, more worldly. At the same time, I am interested in the simple basics, which is I love to dance and I love to make people dance.
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I look at WorldstarHipHop in the morning, Bossip, Global Grind, and everything in between, but it's all so quick, I don't even think about it. And I've never been a fan of lyrical or socially conscious rap music.
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An author's ability to bring a marketing synopsis to the table - along with a great manuscript - makes a difference in what books get picked up. This is true for both fiction and nonfiction titles. You need to show your publisher what you've got in your marketing arsenal.
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I'd like to recover some of the strangeness and wonder of consideration of the future.
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This country is going to implode, or put another way, it's going to get crushed under the weight of poverty. You can't have one percent of the people who own and control more wealth than the other 90 percent of the population.
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Horses are in our DNA. We used them way before cars for commuting.
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Its subtlest, most appealing accomplishment may be in how other characters respond to Gregorius' precipitous swerve onto the spiritual path. (...) That said, Night Train to Lisbon is a very long, ambitious book that's feverishly overwritten. (...) Think of W.G. Sebald recast for the mass market: stripped of nuance, cooked at high temperature and pounded home, clause after clause. Some of the clumsiness derives from Barbara Harshav's inelegant translation -- we're often aware of her struggle -- but she can't be blamed for the pervasive bloat.
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Surprisingly, I'm not a fan of guns or anything like that!
