Natalie Morales Quotes
Quotes to Explore
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I get carded for soda, you know, when I go to the supermarket. I mean, they card me for everything. You know, I can't even get through a hand of black jack without getting carded, like, five times.
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I have to say, sushi freaks me out more than almost anything.
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It was deeply important for me to understand where Mandela came from. Because we know where he was going, and that's a famous story, but who was he? Where did he come from? What was his upbringing?
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Australian genre films were a lot of fun because they were legitimate genre movies. They were real genre films, and they dealt, in a way like the Italians did, with the excess of genre, and that has been an influence on me.
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I might see something on TV and get inspired to write about it. I can't sit down and plan to write. It has to come to me in my head like someone telling me the words.
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The blessings wrestling has given me have allowed me to find some new passions, but it's really hard when you've got that first love, and nothing really replaces it.
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You know, I have found out in the course of a long public life that the things I did not say never hurt me.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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I have been desperate to escape for so many years now, it is routine for me to try to escape.
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Just watching Jack Lemmon made me want to get into this business.
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Stranger, if you passing meet me and desire to speak to me, why should you not speak to me? And why should I not speak to you?
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First time I walked out on the Opry stage, Vince Gill was there. He kind of 'daddied' me through the whole thing. My knees were knocking. I walked out there, and I was literally shaking. They say it's the spirits or the ghosts. And out of respect for that whole establishment, I was really really nervous.
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Though there are some notable exceptions, by and large the persistent ranting of the Warren Commission critics, some of whom were screaming the word 'conspiracy' before the fatal bullet had even come to rest, came to remind me, as H. L. Mencken said in a different context, of dogs barking idiotically through endless nights.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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My camps are always ten weeks. That's what makes me comfortable.
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People have said to me, 'It must be nice to prove so many people wrong,' but I've never really cared about proving anything to anybody else.
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Quite understandably, people think that if there's a six-year gap or whatever, that it's taken me six years to make the album. It's not really like that at all.
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I don't know how to be a rapper. I just know how to be me.
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I think I have a big fear of things spiraling out of control. Out of control and dangerous and reckless and thoughtless scares me, because people get hurt.
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I think the artistic side of architecture was natural to me. My mother was an artist and a poet.
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When you left on Saturday, I felt a horrible void, I saw you everywhere, on the beach, in your room, in the garden: impossible for me to get used to the idea that you had left.
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My daily beauty regimen consists of washing my face before bed and putting on moisturizer.
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Say what you want about it, Hell is story-friendly... The mechanisms of hell are nicely attuned to the mechanisms of narrative. Not so the pleasures of Paradise. Paradise is not a story. It's about what happens when the stories are over.
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Audrey Hepburn, for me, was the end-all, be-all style icon.
