Ace Frehley Quotes
I'm still shocked when people say, 'You haven't done a studio record in 20 years.' I try to make excuses for it, but the truth is I just wasn't with it.

Quotes to Explore
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I don't like people cleaning my room.
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I think people are going to like my new shoes. I like them. I had a lot of success with the one last year, but this year's shoe is going to be a little different, but at the same time it's going to be a little spin-off on last year's shoe.
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A fair question could be posed in this fashion: If people are not obeying existing laws, what makes us think they would obey any new laws?
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I know someone from growing up who is in jail right now for the rest of his life, but he was one of the sweetest people I ever knew.
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For the first time, entrepreneurs can monetize their own open-source and peer-to-peer network. They can crowdfund and raise money from people across the world on the Internet in crypto-currency.
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People are totally overusing LOL and a wink - and I'm very guilty of using the wink - that's probably my favourite emoticon to use because 'I'm being sarcastic, don't misinterpret; don't misconstrue; I'm just kidding.' Again, for as many benefits as it has, also picking up the phone and having a conversation speaks volumes.
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If people would dare to speak to one another unreservedly, there would be a good deal less sorrow in the world a hundred years hence.
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People have told me that they cannot put down 'If I Stay' after reading it, and readers have become very invested in the love story between Adam and Mia.
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My biggest nightmare is I'm driving home and get sick and go to hospital. I say: 'Please help me.' And the people say: 'Hey, you look like...' And I'm dying while they're wondering whether I'm Barbra Streisand.
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I don't like it when people don't hold the door. I don't know, that really bugs me... I guess I like manners.
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If you're having a down time at school and people are bullying you, they don't know you. They don't have the right to have an opinion on you.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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I'm not one of those people who wake up chatting. I usually don't want to speak for the first 10 or 20 minutes. And I don't really want you to talk to me either!
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It's kind of a catch-22 now because since the 'Da Vinci Code,' I have access to places and people that I didn't have access to before, so that's a lot of fun for somebody like me, but I'm always trying to keep a secret. I don't want people to know what I'm writing about.
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As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
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When I became a mother of two, I decided to work with brands that remind me of family because they're my No. 1 priority. Now I'm partnering with Puffs to encourage people to get out and not hibernate inside. People should enjoy the holiday season, and if you do have a runny nose or the sniffles, Puffs is there to take care of your symptoms.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
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I don't believe in just ordering people to do things. You have to sort of grab an oar and row with them.
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'New Jack City' was a perfect marriage of music and film. They used a lot of musicians: myself, Christopher Williams. People that were popular because of their music were given the chance to act. And the soundtrack was incredible.
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Being right half the time beats being half-right all the time.
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I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
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When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing.
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You know there's problems - you can see all the poverty and so on - but it's quite another matter to know what you can do about it.
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I'm still shocked when people say, 'You haven't done a studio record in 20 years.' I try to make excuses for it, but the truth is I just wasn't with it.