Shiloh Fernandez Quotes
I try to create as many circumstances outside of set that help me fall into character when I get onto set.
Quotes to Explore
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To be honest, I think for part of my late teens my character didn't really develop very much. I was in a state of cold storage.
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I haven't gotten a lot of feedback about, 'Oh, you helped me in this way.' But on social media, people are like, 'Thank you for your positive posts,' or 'It's fun to see you grow and your character. I feel like I'm growing with you.'
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It just seemed like an unattainable dream to go down to Los Angeles and to land a professional working, acting gig on a show that you really love with a character you really connect with. That doesn't seem possible; that seems insane.
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Any character that can't be kept straight, to me, isn't a character who should be in the book – you know, anyone not vivid enough to have a claim on my attention.
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Character is the indelible mark that determines the only true value of all people and all their work.
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It must inquire not merely about the circumstances of the time in general, but in particular about the writer's position with regard to these things, the interests and motives, the leading ideas of his literary activity.
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I think things are funny when the character is taking it totally seriously.
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Only men of character are trusted.
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Integrity is the core of our character. Without integrity, we have a weak foundation upon which to build other Christlike characteristics.
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I am particularly interested in helping to heal women who have a fistula after their pregnancies.
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Christopher Reeve so completely inhabited the character Superman when he was in that costume, and that had such a huge effect on me as a child, watching those films back in the '70s. There was so much of that character that was, for me, Superman.
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It's been said that astronomy is a humbling and, I might add, a character-building experience.
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Switching the public's perception and view of me was, and still is, kind of a challenge to get them to see me outside of a character that I played on TV for so long.
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Interviewing someone is very similar to preparing a character, isn't it? You're just asking questions: 'Who is this person? Why did they make that choice? Why are they doing that?' You're being Sherlock Holmes.
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In Iceland, the weather is the biggest character you deal with every day. There's nothing more relevant in your life than what kind of weather it is.
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'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
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There's so much with my character in 'Dredd' that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
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The contemporary crime novel is, at its best, a novel of character. That's where the suspense comes from.
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People are fascinated by evil because it's mysterious and it doesn't seem to have a rationale behind it, and the second you say that Hannibal Lector was abducted as a child and he had to eat his sister or something like that, it becomes immediately mundane. The character becomes mundane.
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The Spirit, when He prays through us, or helps us to meet the mighty "ougthness" of right praying, trims our praying down to the will of God.
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At my first Golden Globes, I met people I was very much enamored by: Julianne Moore, Meryl Streep, Brad Pitt and Angelina Jolie. It was surreal to see them in person.
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The grey mare is the better horse.
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I try to create as many circumstances outside of set that help me fall into character when I get onto set.
