Siegfried Lenz Quotes
Every story I write starts with a dilemma or a theme. Once I am convinced that this is the issue that is perturbing my thoughts, I start to look for characters capable of representing it.
Quotes to Explore
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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When I watch cop shows, I really enjoy them because you can really follow the story and get involved, and the characters are always really interesting.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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Characters who don't suffer have no interest to me.
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At times, the curve/fat/plus convo tends be this 'out of the dark' story, like, 'I used to be insecure, but now here I am.' But that is not my reality, and for most of the people, that isn't their reality, either.
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It's like tabloid news programs that talk about how horrible something is, while at the same time they're glorifying it as their top story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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I grew up in a place where everybody was a storyteller, but nobody wrote. It was that kind of Celtic, storytelling tradition: everybody would have a story at the pub or at parties, even at the clubs and raves.
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All of my characters are less than perfect.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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Of course, I'm not allowed to talk about the script, but I can say it is a really good story.
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I try to tell a story musically in a song.
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A novel requires a certain kind of world-building and also a certain kind of closure, ultimately. Whereas with a short story you have this sense that there are hinges that the reader doesn't see.
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As cliched as it sounds, if you have an original voice and an original idea, then no matter what anybody says, you have to find a way to tell that story.
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I will not go into a story unprepared. I will do my homework, and that's something I learned at an early age.
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My only conclusion about structure is that nothing works if you don't have interesting characters and a good story to tell.
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If not for the success that medicine has made, I might be part of a much different story right now.
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I wrote my first story when I was six or seven.
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Every day, my mom and I would watch a different Judy Garland VHS. I love how she tells a story when she sings. It was just about her voice and the words she was singing - no strings attached or silly hair or costumes, just a woman singing her heart out. I feel like that doesn't happen that much anymore.
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'Yeh Hai Aashiqui - Siyappa Ishq Ka' has become a part of who I am. I will be narrating the stories, and as a narrator, I get to experience each story up close and personal and go through the same range of emotions as the characters.
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There isnt a more important issue in the world than global warming. Even the Cold War and the Bay of Pigs crisis were a notional threat.
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Every movie is a love story.
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Every story I write starts with a dilemma or a theme. Once I am convinced that this is the issue that is perturbing my thoughts, I start to look for characters capable of representing it.
