Sigmund Freud Quotes
[The child] takes his play very seriously and he expends large amounts of emotion on it. The opposite of play is not what is serious but what is real.
Quotes to Explore
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I'm an actor; I want to play roles, not a role.
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I'm a huge gamer. I play a lot of games, and I play one game until I'm really, really good at it.
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Study first, play afterwards.
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It is when we all play safe that we create a world of utmost insecurity.
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If someone put a camera in my face now, when I am in student mode, I would get embarrassed, but when I am modelling, I play characters.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I didn't know Albert back then - I just learned to play that way. He and I were the only guys that played left-handed. Then left-handed people came from every direction.
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In 'Rangoon', I play an action star of the 1940s.
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The debt we owe to the play of imagination is incalculable.
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I would love to play a regular guy in a family drama.
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Love isn't an emotion or an instinct - it's an art.
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I thought, 'I've been doing this for 16 years professionally. I have a window where I want to play leading parts.'
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I'm drawn to projects where I play these really complicated characters, but also where I can have some type of influence on affecting what we see as societal norms.
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Reality is how we interpret it. Imagination and volition play a part in that interpretation. Which means that all reality is to some extent a fiction.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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I grew up playing about 15 instruments and the way that I was able to accomplish that was by cutting my classes, hanging out in the band room all day, and going from one instrument to the next to the next, until I learned how to play everything by ear.
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What we must remember, however, is that preservation of liberties does not depend on motives. A suppression of liberty has the same effect whether the suppressor be a reformer or an outlaw. The only protection against misguided zeal is constant alertness to infractions of the guarantees of liberty contained in our Constitution. Each surrender of liberty to the demands of the moment makes easier another, larger surrender. . .
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I went to Cuba maybe eight or nine times.
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My appearances are almost theatrical performances. I bring items for the children to see, such as photographs and actual piece of meteorite, a family quilt, sometimes spectacles, sometimes clothing, so that they can understand what I write about is family stories based in fact.
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Pleasure may come from illusion, but happiness can come only of reality.
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I don't know whether Jews can behave like good Christians, but Muslim Arabs certainly cannot.
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[The child] takes his play very seriously and he expends large amounts of emotion on it. The opposite of play is not what is serious but what is real.
