Nicolas Malebranche Quotes
Quotes to Explore
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I like to do everything you can possibly do before you go into rehearsal, because once we are in rehearsal or on the stage there will be a problem I didn't anticipate. It's really good to think we got it all nailed - of course you've never got it all nailed.
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The loss of life will be irreplaceable.
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There is no one looking out for us. We are all alone.
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I still write in long hand. I type like a chimpanzee.
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How can I wage political battle against a widow who does not mean anyone any harm except only the president himself?
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Our society wants things to grow, and our society wants things to become bigger and bigger. Everything has to be put under the spotlight.
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I began as a model, but that did not really hold my interest for too long! I believe I stood out from the parade of models trying to make it in Hollywood, which helped launch my career beyond the one-night-stand horror movie.
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When I left Michigan and I came to New York, that was my goal, to be a professional dancer. And I sort of fell into singing by accident in a way.
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People say a lot of hurtful things, but in a way, the abuse that I endured from my husband prepared me for that. The things I had been told and drilled into my head from him were worse than what anybody could say to me.
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I've led this empty life for over forty years and now I can pass that heritage on and ensure that the misery will continue for at least one more generation.
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People always used to say to me, 'Don't you want your own show? That'd be so cool if you had your own show.' I said, 'You know, it's not gonna happen. So – no.'
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All trials are trials for one’s life, just as all sentences are sentences of death.
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You live alone, creating your life as you go.
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I don't think that modesty is the outstanding characteristic of contemporary politics, do you?'
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The prejudice against color, of which we hear so much, is no stronger than that against sex. It is produced by the same cause, and manifested very much in the same way. The negro's skin and the woman's sex are both prima facie evidence that they were intended to be in subjection to the white Saxon man.
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That's how a scary story works. It echoes some ancient fear. It recreates some forgotten terror. Something we'd like to think we're grown beyond. But it can still scare us to tears. It's something you'd hoped was healed.
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You can get out of maintaining property at code if the family is behind on rent.
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Let me peer out at the world through your lens. (Maybe I'll shudder, or gasp, or tilt my head in a question.) Let me see how your blue is my turquoise and my orange is your gold. Suddenly binary stars, we have startling gravity. Let's compare scintillation - let's share starlight.
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I'm light skinned, and I used to lean on that because that's something a lot of black people pride themselves on, and it's weird.
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'The Help' sheds light on a certain truth in America, but the tragedy is if we don't get a chance to contrast it with other points of views. 'The Butler' does that, 'Red Tails' does that and that's what '96 Minutes' does.
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The eyes of some of the fans at Davis Cup matches scare me. There's no light in them. Fixed emotions. Blind worship. Horror. It makes me think of what happened to us long ago.
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We should seek at all times to purify ourselves and to lead such worthy lives that the Light of Christ emanates from us in all that we say and do.
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I am not my own light unto myself.
