John Green Quotes
There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.
Quotes to Explore
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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Journalist: a person without any ideas but with an ability to express them; a writer whose skill is improved by a deadline: the more time he has, the worse he writes.
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All the women in my family are very dramatic by themselves. They make the biggest things out of nothing. I think that's where I learned a lot about being emotional.
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It's important for any artist - particularly female artists - to feel completely comfortable and to know what they're trying to do.
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I suppose I have played a lot of put-upon women, but it's never bothered me. They've never been weak – they've always got steel in them.
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Animation is different from other parts. Its language is the language of caricature. Our most difficult job was to develop the cartoon's unnatural but seemingly natural anatomy for humans and animals.
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Hits and flops are overrated.
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When we say a show is successful, it's because, relative to the investment, it's successful, relative to how else we would have spent that money on licensing something else, does this creation - did it attract the audience that it was built for.
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Before Booker T. Washington, we have small business owners but we do not have a philosopher of black entrepreneurship, and that's what Washington was.
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A lot of people who were writing when I came through originally as a singer-songwriter have disappeared.
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My husband wrote the story for my first book, but then he didn't want to do that anymore. So if I was going to go on being an illustrator, I had to start writing the stories, too.
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When people ask if I have any advice for young designers, the best advice I could ever give to somebody is to work for someone else, when you are playing with someone else's money. It is very expensive when you start doing it on your own.
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You can't come into this world without becoming its victim.
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Any director, if you really ask them, will tell you that the toughest thing to do is like a dinner table or a dialogue scene, because you need to keep that electricity maintained throughout the course of the film.
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Terms like that, 'Humane Society,' are devised with people like me in mind, who don't care to dwell on what happens to the innocent.
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I really like to sometimes go into food detox and eat very simply.
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Both 'The Daily Show' and 'The Colbert Report,' you're working with the best. When you work with the best, you have to raise your game. If you're working with people who are sub par, you're not forced to give 100 percent because you can get by on 80 percent.
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Often with television, particularly with lifestyle entertainment, they really try and box you in.
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I Love children, especially when they cry for then someone takes them away.
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A lot of things trigger my inspiration. It can be the most banal things.
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It's always so difficult when you've left your kids to go to work every day - you want people to like it. I just agonise over it, but I'm obsessive because I love what I do.
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I want to encourage the non-star, low-profile film, and maybe we've got a chance.
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You can avoid the press if you really want to and I don't walk around with five security guards either because I think that just draws attention.
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There is a lot of talk in publishing these days that we need to become more like the Internet: We need to make books for short attention spans with bells and whistles - books, in short, that are as much like 'Angry Birds' as possible. But I think that's a terrible idea.
