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The American woman's inequality with men is proved by her defiant attitude.
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Hegel held that the two sexes were of necessity different, the one being active and the other passive, and of course the female would be the passive one.
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Anyway I know only too well that all life is nothing but a brief reprieve from death.
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Eating, sleeping, cleaning - the years no longer rise up toward heaven, they lie spread out ahead, gray and identical. The battle against dust and dirt is never won. Washing, ironing, sweeping, ferreting out rolls of lint from under wardrobes - all this halting of decay is also the denial of life; for time simultaneously creates and destroys, and only its negative aspect concerns the housekeeper.
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There are jobs that can be done equally well by men or by women and that finally you can't see a difference. But from the moment that you involve yourself fully in writing a novel, for example, or an essay, then you are involved as a woman, in the same way that you can't deny your nationality - you are French, you are a man, you are a woman... all this passes into the writing.
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It's so easy to be mistaken about the future. Sometimes there are avant-gardes which believe themselves to be the avant-garde and which later find themselves to be absolutely dated.
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Immortality is a terrible curse.
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Literature is born when something in life goes slightly adrift.
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The torment that so many young women know, bound hand and foot by love and motherhood, without having forgotten their former dreams.
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Sex pleasure in woman is a kind of magic spell; it demands complete abandon; if words or movements oppose the magic of caresses, the spell is broken.
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It is so difficult not to become vain about one's own good luck.
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The women of today are in a fair way to dethrone the myth of femininity; they are beginning to affirm their independence in concrete ways; but they do not easily succeed in living completely the life of a human being.
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I believe that we must use language. If it is used in a feminist perspective, with a feminist sensibility, language will find itself changed in a feminist manner. It will nonetheless be the language. You can't not use this universal instrument; you can't create an artificial language, in my opinion. But naturally, each writer must use it in his/her own way.
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The role of a retired person is no longer to possess one.
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This has always been a man's world, and none of the reasons that have been offered in explanation have seemed adequate.
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Words have to murder reality before they can hold it captive.
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The Sahara was a spectacle as alive as the sea. The tints of the dunes changed according to the time of day and the angle of the light: golden as apricots from far off, when we drove close to them they turned to freshly made butter; behind us they grew pink; from sand to rock, the materials of which the desert was made varied as much as its tints.
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There are moments when you have to write certain things and you don't have to think of your sex. If you are writing about the population of the thirteenth district in Paris, even if you are writing on the women in the thirteenth district, there's no need to consider your sex.
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One is not born, but rather becomes, a woman. No biological, psychological, or economic fate determines the figure that the human female presents in society; it is civilization as a whole that produces this creature, intermediate between male and eunuch, which is described as feminine.
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We can reorient science - for example, a kind of medicine much more directed toward the enormous number of women's health problems which are neglected now. But the original givens of this science are the same for men and for women. Women simply have to steal the instrument; they don't have to break it, or try, a priori, to make of it something totally different. Steal it and use it for their own good.
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There was a time, in the nineteenth century, for example, when women spoke mostly about the house, children, birth, and so forth, because it was their domain. That's changing a little, now.
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As long as there have been men and they have lived, they have all felt this tragic ambiguity of their condition, but as long as there have been philosophers and they have thought, most of them have tried to mask it.
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Retirement revives the sorrow of parting, the feeling of abandonment, solitude and uselessness that is caused by the loss of some beloved person.
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Few books are more thrilling than certain confessions, but they must be honest, and the author must have something to confess.