Ed Koch Quotes
Quotes to Explore
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Everything's a risk, by the way, these days. Every film you make is a risk. There's no guarantee.
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You must remind yourself at all times that the golf ball is nothing. It's an object. It's something to be swatted and sometimes lost and not even looked for.
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In the Gulf War, U.S. Marine Corps wheeled vehicles were killing Iraqi T-72 tanks.
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Women often have a great need to portray themselves as sympathetic and pleasing, but we're also dark people with dark thoughts.
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When you buy me, you are buying a Ferrari. If you drive a Ferrari, you put premium petrol in the tank, you hit the motorway, and you step on the gas.
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I've been following what's happening in Colombia because it's the country of my childhood.
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My career is a black comedy of sorts. I spent a lot of time explaining myself to various different groups. But more and more, I'm finding that the desire to communicate, which all these audiences share, is a powerful thing.
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In Mississippi, you don't admit that you're gay. It's just an awkward thing down South, which is sad.
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By the time a person has achieved years adequate for choosing a direction, the die is cast and the moment has long since passed which determined the future.
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'Dangerous' is an album that I was very dedicated to. I wanted every song to be a hit.
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Any time you get two people in a room who disagree about anything, the time of day, there is a scene to be written. That's what I look for.
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Though the S8, like all premium Samsung phones, runs Android with the basic Google suite of apps, Samsung keeps trying to duplicate Android functions with its own software. It wants to be a software platform like its rival Apple, but it uses someone else's operating system and core apps. Awkward.
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For me, clean fuels translates into cleaner air for Oregonians. I think that's a good thing.
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If you put people up on pedestals, there's only one way for them to go, and that is down.
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Sure, 'Les Miserables' can be melodramatic. And seeing the musical instead of reading the novel will save you some time and spare you the long part where Hugo goes on and on about the Parisian sewer system. But I would hate for the novel to lose that.
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All over the world, children facing the challenges of poverty attend schools that aren't designed to meet their extra needs; across country lines, the lives of marginalized kids look far more similar than they do different.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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Every single job is a challenge. You are walking into a new set, a new character, creating a world and trying to get comfortable to do your best work.
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I never worry about diets. The only carrots that interest me are the number you get in a diamond.
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We eat pretty healthy foods, and I've taught my kids since they were little about knocking out trans fats.
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My mentor Jon Simmons introduced me to the Stanislavski system, which is so heavy on back-story. So you write and write and write these back stories about a character and then you throw it away. So then on set, if it doesn't come, then you didn't do your work.
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We have to face the fact that either all of us are going to die together or we are going to learn to live together and if we are to live together we have to talk.
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Dennis Mathis was very sensitive about keeping the unique way that I spoke English - it had a lot of Mexicanisms or Mexican syntax. So you keep it in because it's adding something unique.
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You don't have to love them. You just have to respect their rights.
