Stanley Kubrick Quotes
You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
Quotes to Explore
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I was shy. I was painfully shy, until fifth grade when I transferred to another school and befriended the class clown. And one day he was sick and I kinda stepped in for the class clown and I said, 'Wow, this is exciting, I'm a little bit nervous.'
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When I was 8 or 9, I started using bulletin board systems, which was the precursor to the Internet, where you'd dial into... a shared system and shared computers. I've had an email address since the late '80s, when I was 8 or 9 years old, and then I got on the Internet in '93 when it was first starting out.
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I'm not a party guy. I don't carouse very much.
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I can't say I'm having trouble with my husband or that I have a stubborn child.
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My job was to get a fair and open hearing to all ideas.
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It was on my fifth birthday that Papa put his hand on my shoulder and said, 'Remember, my son, if you ever need a helping hand, you'll find one at the end of your arm.'
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What I do miss that I don't get anymore? You're going to think I'm crazy, but you want the truth, so here it is. The lights! I miss the spotlights. I don't mean it figuratively. I mean it literally. I love the feeling of lights.
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What is wrong with George Bush? What is his problem?
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There is always that one person in our lives who we deeply love, and that person can also destroy us.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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Part of adulthood is searching for the people who understand you.
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The federal government has not been effective enough monitoring and surveilling bad guys.
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It's been such a group effort. When you're a new band and you have limited resources, you end up getting people that are there because they love what you do, and that's great.
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As far as I'm concerned, blues and jazz are the great American contributions to music.
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I have a real passion for children. I always wanted to teach and only became an athlete because my parents told my brother Parenthesis (sic) and me that we should use any God-given talent we had.
Gail Devers -
It's a contract of connection to be in the same space and watch and listen to stories and be caught in them. When you're in a theater, your brain expands because somebody in the theater may do something or respond to something that you wouldn't have.
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Our abode in this world is transitory, our life therein is but a loan, our breaths are numbered and our indolence is manifest.
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My faith is in my colleagues. And when I meet other writers, journalists, who've been doing this for a long time, trying to make us aware of what it is that we're living in, I put my faith in those people.
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I always want to live long enough to finish the book I'm working on and see it published. But then I start another book before the previous one is in the stores, so I always have a reason to go on.
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There isn't a thought or feeling that doesn't alter or deepen when written. We are a writing animal. That is why all of us feel we have a book inside us. It isn't an illusion. We have got a book inside us.
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Acting offers me an outlet. Here is the perfect opportunity to spend fleeting moments becoming an entirely different person; to experience a character entirely unlike myself, but to also make such a character a part of me. There is no routine here; there is no boredom.
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I start to feel like I can't maintain the facade any longer, that I may just start to show through. And I wish I knew what was wrong. Maybe something about how stupid my whole life is.
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I did it [photojournalism] as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. So I stopped doing that and wrote some screenplays on speculation, because even though I wanted to direct, to direct you need a lot of money.
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You're free to speculate as you wish about the philosophical and allegorical meaning of the film—and such speculation is one indication that it has succeeded in gripping the audience at a deep level—but I don't want to spell out a verbal road map for 2001 that every viewer will feel obligated to pursue or else fear he's missed the point.
