Stephen Sondheim Quotes
By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
Quotes to Explore
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I suffer from a more complex, persistent fear. It manifests itself in nerves, and on film the camera sees even the tiniest evidence of this. So you have to learn that when the director calls 'Action,' you don't go to this place of tension, but somehow you become free.
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The more I compose, the more I know that I don't know it all. I think it's a good way to start. If you think you know it all, the work becomes a repetition of what you've already done. I try to make sure that I don't repeat my music.
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One can never know enough. The unknown and its call lies even in what we know.
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I firmly believe that one of the best kept secrets to soft and glowing skin is moisturisation.
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I never feel there's anything I can't do.
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Back in the day, I used to read 'Archie,' but I haven't been a comic book aficionado.
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I have all the tools and gadgets. I tell my son, who's a producer, 'You never work for the machine; the machine works for you.'
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I am not trying to conform to an unrealistic model of beauty. I am, however, being proactive in being the healthiest I can be.
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You just can't let anything or anyone get in the way of who you are.
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I always enjoy impersonating my characters in the first-person singular.
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Playwriting gets into your blood and you can't stop it. At least not until the producers or the public tell you to.
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I'm Pisces with Leo rising. The Pisces part is the dreamer. The Leo says, 'Let's execute.'
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I do have a political agenda. It's to have as few regulations as possible.
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I'm currently working on a romantic comedy between me and Philip Seymour Hoffman. So my next step is to write something so mind-blowingly spectacular that he has no other choice but to agree to do it! Wish me luck.
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With 'Kids React,' it started, hilariously enough, by thinking, 'Why, teenage girls seem to love 'Twilight' so much!' We went from wanting to ask them ourselves to coming up with the larger and more universal concept of a bunch of Kids reacting to viral videos.
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The problem with motor neurone disease is they don't know when it starts. People go into hospital having fallen but get wrapped up and sent away, unless they're seen by an incredibly astute doctor. It is only when several things begin to go wrong that it'll be diagnosed.
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Honestly, music is an expression, and if you will be that voice for these girls, there are some people that feel this. This is universal.
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I think I've always been somebody to break rules.
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When you're teaching creative nonfiction, it helps to have written about your life in a very open way, because you can say, 'Look, how much are you willing to risk emotionally to write? How careful can you be with the other people you're writing about?'
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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Completing a book, it's a little like having a baby.
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I was trying to foster a great working relationship between those two departments [design and the writing teams], because classically in animation the two don't get along.
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By the time I get through writing a score, I know the book better than the book writer does, because I've examined every word, and questioned the book writer on every word.
