Stephen Spender (Sir Stephen Harold Spender) Quotes
The iron arc of the avoiding journey Curves back upon my weakness at the end; Whether the faint light spark against my face Or in the dark my sight hide from my sight, Centre and circumference are both my weakness.
Quotes to Explore
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The mystery of government is not how Washington works but how to make it stop.
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J has told me about his past. I know what happened and why. But he is the one person who made me believe in my talent and whatever happened in the past, he's been a wonderful manager to me.
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We began as restless and radical. Remember the spirit of 1997, but by the end of our time in office we had lost our way.
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Chris Jericho is a great guy. He's beyond hysterical. He's good people. They're really good. Chris wanted me to throw down a solo. He sent it to me and I knocked it out.
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One Saturday in 1984, I walked into my first AA meeting. I went regularly for six years and only stopped when I came to realize my underlying problem was not genuine alcoholism, but depression.
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Because I was a dancer, I started going to auditions for musical theater, which forced me to sing.
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We know what a person thinks not when he tells us what he thinks, but by his actions.
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I didn't know there was a dying-professor section at the bookstore.
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Only he can take great resolves who has indomitable faith in God and has fear of God.
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What came up at age 49 is I realized that of all the things I'm interested in, the thing I'm most interested in is figuring out what makes people tick, why people think the way they do, why they act the way they do. And I realized that music is such a great way to investigate why people do what they do.
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All my fiction starts from a feeling of unique perception, the pressure of a secret, a story that needs to be told.
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The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
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Every generation is obsessed with the decade before they were born.
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I always have to be writing.
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I come from an alcoholic Irish background - I know where I was going! But I met my wife and started to practise Buddhism, which is a levelling experience for me, and there hasn't been a day I've missed in 40 years. I apply it to everything - to my work and relationships. I try to be a compassionate person.
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The characters I've portrayed may outwardly be quite different from one another, but I've found that they're also intrinsically linked.
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I need to start honing in on projects that I want to devote my time to and not put my energies into the unattainable ones.
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What I want for my fans and for the world, for anyone who feels pain, is to lean into that pain and embrace it as much as they can and begin the healing process.
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When life takes me on a new journey, I simply remember the smile my first ballet recital put on my face and I move forward.
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The moods of the dark night skies are variously represented like soft black velvet, like the shining black of a scarab beetle, like the patina-ed surface of Indian-inked paper, soft blotting-paper soaked in dark blue ink for forty days, like a black cat's fur shining in moonlight...
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Every daring attempt to make a great change in existing conditions, every lofty vision of new possibilities for the human race, has been labeled Utopian.
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Sydney's beautiful, the weather's great, and the air's fresh and clean, but it doesn't have the scene and the amount of likeminded people. At home, things are very comfortable, but I feel like putting myself out there a bit.
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Art comes from a visceral need and is usually generated by something I have seen; writing comes from something that happens in my head and my heart.
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The iron arc of the avoiding journey Curves back upon my weakness at the end; Whether the faint light spark against my face Or in the dark my sight hide from my sight, Centre and circumference are both my weakness.
