Stephen Sprouse Quotes
Quotes to Explore
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The first test any poem must pass is no longer, 'Is it true to nature?' but a criterion looking in a different direction: namely, 'Is it sincere? Is it genuine?'
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I would be a poorer person if the only things I knew were what I had found out for myself.
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I think that everything starts to go to hell when you start smelling your own farts and complimenting yourself on how great they smell. We're not going to turn into fart-smellers.
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I just knew how to do the one thing I did, and whether I did it well or not depended on who the director was.
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That element of surprise is what I look for when I am writing. It is my way of judging what I am doing - which is never an easy thing to do.
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The deeper the experience of an absence of meaning - in other words, of absurdity - the more energetically meaning is sought.
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Symbolism is alright in 'fiction,' but I tell true life stories simply about what happened to people I knew.
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The cars haven't advanced that much since we were kids. When you boil it down, it's still a gas combustion engine.
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I've made my music so that it could be about anything and everybody - whether it's a guy, a female or a goat - and everybody can relate to that.
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Exploiters and manipulators have always used religion self-righteously to further their own selfish ends.
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A consensus means that everyone agrees to say collectively what no one believes individually.
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There's a love of rhetorical skill in the Muslim world. Osama bin Laden doesn't just go on tape cassettes and say, 'America sucks.' He recites poetry; he finds things that 'America sucks' rhymes with.
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Who cares about great marks left behind? We have one life... just one. Our life. We have nothing else.
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My interest in Virtual Reality (VR) films began for me when I began a fellowship with MIT's Open Documentary Lab. It was a profound experience to be on MIT's campus one day a week and to enter a new world of storytelling where breaking convention and traditional methods were expected. This was deeply challenging and inspiring.
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I probably dreamt about running off to America or something when I was 16 because it just seemed like I was studying algebra and going, 'What am I going to use this for?'
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Involvement in Afghanistan, I thought, was totally warranted. We were attacked, we attacked back, but after six months of being in Afghanistan, I thought we had pretty well effectively wiped out al Qaeda.
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It feels very, very good to make a film freely, to work without having to wait years for script approval, without looking over your shoulder.
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It doesn't matter if you're small, big, or fit: if you go in front of the camera and deliver and say, 'Oh my God, I look amazing,' and just be sure about yourself, everything will be perfect.
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I have this certain vision of the way I want my comics to look; this sort of photographic realism, but with a certain abstraction that comics can give. It's kind of a fine line.
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That was the day I began cutting classes and returning to TV tapings; it ultimately led to a friendship with Johnny O, and an increasing fascination and respect for what he did.
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The jazz guitarist Peter Sprague calls his home recording studio SpragueLand, but sometimes it seems that the moniker better captures the way he has turned the entire southland into his own musical playground. Sprague is a highly versatile musician who draws on the wellsprings of jazz and Brazilian music as primary influences.
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The city of Oia is the most magnificently romantic place I've ever been.
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I grew up in Columbus, Indiana, a kind of industrial and farmland place.
