Stephen Vizinczey Quotes
As a rule, the most dangerous ideas are not the ones that divide people but those on which they agree.
Quotes to Explore
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The quick success was a bit strange to get used to.
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If a man has money, it is usually a sign, too, that he knows how to take care of it; don't imagine his money is easy to get simply because he has plenty of it.
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I don't drink hot beverages.
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My favorite wrestler growing up was Dean Malenko. He was a very technical wrestler, and when I trained with Shawn Michaels, he wasn't that kind of a technical wrestler. So, when I finally met Regal in 2001, he was that kind of a wrestler, and all of a sudden, I could ask him things, and he would know what I was talking about and how to do it.
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I like Public Enemy a great deal.
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Life is just so much fun and so filled with humor.
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Surely a long life must be somewhat tedious, since we are forced to call in so many trifling things to help rid us of our time, which will never return.
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Economists of a classical bent lay a large part of the decline of employment, and thus lagging output, to a contraction of labour supply.
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I'm more comfortable writing traditional protagonists. But 'Steve Jobs' and 'The Social Network' have antiheroes. I like to write antiheroes as if they're making their case to God about why they should be allowed into heaven. I have to find something in that character that is like me and write to that.
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I have always been a coward as a child. I am not very brave. I am very aware of the fact that I am not very gutsy.
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Things happen for a reason. I'm happy, but not I'm not satisfied with the things I'm doing.
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The handwriting on the wall may be a forgery.
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People tend to treat people with disabilities sort of like they're aliens from another planet. It doesn't come from a bad place; it comes from a place of, 'I have no idea what this disability entails, and I don't want to offend anyone or make them feel awful.'
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When you write fiction, you can sort of invent more but also pack it with emotions that are very pertinent to you. Whereas with nonfiction, you have to be as factual as possible but also hopefully - also bring... emotional relevance to the piece.
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Ruzzle's my therapy. When I get off the stage from a packed show and I'm exhausted, I'll just go Ruzzle for like a good 30 minutes.
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The poor are discussed as this homogeneous mash, like porridge. The idea that they might be individuals, and be where they are for very different, diverse reasons, again seems to escape some people.
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I have to believe that people can change, otherwise I deny the Gospel, and I will not do that.
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Crowded classrooms and half-day sessions are a tragic waste of our greatest national resource - the minds of our children.
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I never did a dirty armpit. You can look dirty, but you can't be dirty.
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It's the ultimate identity theft when you start messing with somebody's work. Thinking that you could edit the work, or mix it differently, or re-EQ it, or make claims about it that aren't true.
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Ninety percent of my ideas come to me either when I'm reading or watching a show.
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It's not hard to get the ideas when they come. They just come... it's painful waiting for them.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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As a rule, the most dangerous ideas are not the ones that divide people but those on which they agree.
