Steve Alford (Stephen Todd Alford) Quotes
Quotes to Explore
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And that will increasingly dawn on people. The demand for controlling the commanding heights will grow.
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I spend my own money, not other people's money.
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I'm not a control freak.
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What really matters is your movies and how good a person you are. Otherwise, tabloids and news channels writing about you only builds your curiosity and stardom and propels you to reach wider places.
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An influential member of parliament has not only to pay much money to become such, and to give time and labour, he has also to sacrifice his mind too - at least all the characteristics part of it that which is original and most his own.
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Editing is a natural extension of the collage making. It's actually one of the few areas that women were able to excel in in the film industry from the beginning.
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To work hard, to live hard, to die hard, and then go to hell after all would be too damn hard.
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Glamour is about feeling good in your own skin.
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I don't think I'm a workaholic. Every weekend, I invite my colleagues and friends to my home to play cards. And people, my neighbors, are always surprised because I live on the second floor apartment, and there are usually 40 pairs of shoes in front of my gate, and people play cards inside and play chess. We have a lot of fun.
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Be as polite to the custodian as you are to the chairman of the board.
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Whenever you do an animated project or a voice-over project it's inevitable that part of your personality comes into play.
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I don't believe in the no-carb diet... I have a theory. I think if you give up carbs, you get cranky. You must include them in your daily diet.
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With my ministry of light, part of what I do is work on the California Alliance For Arts Education.
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I grew up thinking that singing was my security.
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In some extremely important ways, people are what you expect them to be, or at least they behave as you expect them to behave.
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The last job I applied for was to be a bus driver for the Chicago Transit Authority in 1957.
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Space has always been confusing to politics.
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The thing about the classics it that they are such great characters, they have a great deal of depth and different layers to them. I always find that very stimulating to play.
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If I wasn't a fighter, I wouldn't be unique.
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Critics? How do they happen? I know how it happened to me. I would send a poem or story to a magazine and they would say this doesn't suit our needs precisely but on the other hand you sound interesting. Would you be interested in doing a review?
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At least for me, writing a book is continual exposure to blind spots. There were things I wanted to be true and wanted to believe, but it always got more complicated in the fiction.
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The overwhelming triumph of the international multimedia conglomerate has resulted in less diversity within the field and has made it much harder for newer writers not only to break in, but to make any kind of a living while doing so.
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When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
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Sometimes it's forgotten that players are coming to college to get a degree.
