Steve Earle Quotes
Politics has always been in my music. Anybody who doesn't understand how political "Copperhead Road" is isn't listening very well.
Quotes to Explore
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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In my relationship with a young guy I was going with in a band - his name was Sylvester, and I think he had another little girl on the side - I told him, 'If you lose me, you're going to lose a good thing.' And I went home and put that poem to music.
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I actually spend very little time listening to any new music.
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My father was always playing the piano. He played all kinds of music - Gershwin, all kinds of stuff.
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Reparations, I believe, are talked about for political reasons, trying to cater for the purpose of getting votes. If Congress was serious about reparations - in '93 and '94 the Democrats controlled the House, the Senate and the White House, and not one single Republican vote was needed for reparations.
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When I was growing up, I wasn't in bands, and had really no intention of ever doing music. I went out to California for college, and kind of on a whim started making music really as a joke, and over the course of the next five years started playing a lot of shows, and music became this really integral part of my identity.
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I think pop music is a great place to get new ideas across.
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A good story gives you more of a license to be forward and progressive with the music.
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Music's always been really cathartic. It's the best drug for me to get away from the everyday pressures just for a second via a good song.
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I went to community college for about a year but I'd started taking music seriously by then so I dropped out.
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I say it with my tongue firmly planted in cheek but there's truth to it - being a comedian is very close to being a therapist. When you're working smaller clubs, you're listening. You're feeling an energy, you're going with a tone but when people start yelling out, you almost start a conversation with people.
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For me, even if I'm singing to a very large audience, like in 'The Sound of Music Live' or in the 'She Loves Me' broadcast, I try to imagine that I am just singing to each individual. It doesn't change my energy other than being perhaps a bit more nervous. I try to sing to each person and right into their individual heart.
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My whole drive is to make sure that music is a common space where we search for beauty and share it. It needs to be louder than any conversation. That's where we have to go as a human race.
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Hope and optimism have defined my political career, and I continue to be hopeful and optimistic about Canada. Young people have been a great source of inspiration for me.
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Not that I want to put the entire rap music style down - I just don't like it. And I know somewhere there's gotta be another guy like that. There's gotta be a guy just like that - just like me. There's gotta be somebody, somewhere... Maybe, maybe an assassin type.
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Both my grandmothers had upright pianos, and I just knew how to play since I was a child. Nobody taught me. I sounded like a grown-up, and then I learned how to read music. I played so well by ear I could fool the teacher to believe I could play the notes. She'd make the mistake of playing the song once, and I could play it.
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It is a coincidence that Mathangi is the Goddess of Music and the spoken word, which can be rap.
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I found that it wasn't so oddball to like music and poetry and visual arts, they're kindred spirits.
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I've grown so much in the music industry. From 'GoldenHeart,' it was just about me and the music and me in this dream. With 'BlackHeart,' its more about me and who I am and what role I play in my own life and in the business.
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I was fortunate enough to have a rambling youth.
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The stuff we did under the name the Rentals got so chaotic.
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I changed my writing style deliberately. My first two novels were written in a very self-consciously literary way. After I embraced gay subject matter, which was then new, I didn't want to stand in its way. I wanted to make the style as transparent as possible so I could get on with it and tell the story, which was inherently interesting.
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Politics has always been in my music. Anybody who doesn't understand how political "Copperhead Road" is isn't listening very well.
